在彼得·凯里的《远道迢迢》(2017)中,澳大利亚是一个好客的家。

Q4 Arts and Humanities Crossroads Pub Date : 2022-01-01 DOI:10.15290/cr.2022.36.1.05
Barbara Klonowska
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引用次数: 0

摘要

“房子”和“家”的概念构成了经济安全与情感安全之间的两个体验极点。它们与物质福利和个人关系有关,可以作为石蕊试纸,用来探测生活在特定领土上的人们的经济和个人状况。澳大利亚小说家彼得·凯里(Peter Carey)的最新一部小说《离家很远》(2017年)将澳大利亚比喻为不同群体的家园:英国殖民者的白人后裔、二战后的幸存者和移民,以及该大陆的土著居民。小说以全国范围内的汽车比赛为情节,展示了这片看似平淡无奇、向所有人开放的土地,如何被解读为创伤和痛苦的重写本,对许多居民来说,这片土地相当荒凉。本文将借鉴流浪汉和chronotope这两个概念,认为小说中运用了房屋和家庭这两个概念的隐喻和字面意义来揭示和讨论20世纪50年代澳大利亚的内部和移民政策。
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Australia as an (in)hospitable home in Peter Carey’s A Long Way from Home (2017)
The concepts of “house” and “home” constitute two poles of experience which negotiate the space between economic and emotional safety. Associated with material well-being and personal rela-tionships, they may serve as litmus-paper tests to probe the economic and personal situation of people living on a given territory. The last to-date novel by the Australian novelist Peter Carey, A Long Way from Home (2017), takes up the issue of Australia as a metaphorical home to diverse groups of people: the white descendants of British colonisers, post-WWII survivors and immigrants, and the indigenous Aboriginal inhabitants of the continent. Employing the plot of the all-around-the-country car race, the novel shows how the land, seemingly homely and open to everybody, may be read as a palimpsest of trauma and pain, and quite inhospitable to many of its inhabitants. Referring to the concepts of the picaresque and chronotope, this article will argue that both the metaphoric and the literal meaning of the concepts of house and home are employed in the novel to disclose and discuss the internal and immigration policy of the Australia of the 1950s.
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来源期刊
Crossroads
Crossroads Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
8
审稿时长
18 weeks
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