{"title":"救济间隔","authors":"Hsin-Yuan Peng","doi":"10.1525/rep.2022.159.4.90","DOIUrl":null,"url":null,"abstract":"From the late 1920s to the early 1940s, meteorologist Abe Masanao (1891–1966) used time-lapse and stereoscopy to study clouds near Mount Fuji. Abe’s research connects cinema, clouds, and the stereoscope in a circuit of mediation, both literal and metaphorical. Analyzing Abe’s image-making practices alongside his discussion of tricks and magic, this case study proposes that meteorological visualization is an art of forgery.","PeriodicalId":47353,"journal":{"name":"Representations","volume":"1 1","pages":""},"PeriodicalIF":0.9000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Intervals in Relief\",\"authors\":\"Hsin-Yuan Peng\",\"doi\":\"10.1525/rep.2022.159.4.90\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"From the late 1920s to the early 1940s, meteorologist Abe Masanao (1891–1966) used time-lapse and stereoscopy to study clouds near Mount Fuji. Abe’s research connects cinema, clouds, and the stereoscope in a circuit of mediation, both literal and metaphorical. Analyzing Abe’s image-making practices alongside his discussion of tricks and magic, this case study proposes that meteorological visualization is an art of forgery.\",\"PeriodicalId\":47353,\"journal\":{\"name\":\"Representations\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.9000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Representations\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1525/rep.2022.159.4.90\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Representations","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1525/rep.2022.159.4.90","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
From the late 1920s to the early 1940s, meteorologist Abe Masanao (1891–1966) used time-lapse and stereoscopy to study clouds near Mount Fuji. Abe’s research connects cinema, clouds, and the stereoscope in a circuit of mediation, both literal and metaphorical. Analyzing Abe’s image-making practices alongside his discussion of tricks and magic, this case study proposes that meteorological visualization is an art of forgery.
期刊介绍：
An interdisciplinary journal edited by renowned scholars, Representations publishes trend-setting articles and criticism in a wide variety of fields in the humanities. In addition to special topical issues, tributes, and forums, inside you’ll find insightful coverage of: •The Body, Gender, and Sexuality •Culture and Law •Empire, Imperialism, and The New World •History and Memory •Narrative and Poetics •National Identities •Politics and Aesthetics •Philosophy and Religion •Race and Ethnicity •Science Studies •Society, Class, and Power •Visual Culture
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