{"title":"辐射物","authors":"Jill Jarvis","doi":"10.1525/rep.2022.160.3.54","DOIUrl":null,"url":null,"abstract":"Beginning in 1960, the French military carried out seventeen nuclear bomb detonations at bases constructed for this purpose in what is now the Algerian Sahara. This French imperial “radiance” has left an enduring radiological and epistemological legacy whose effects are not yet known. Grounded by close attention to transmedial works by Elisabeth Leuvrey, Bruno Hadjih, and Ammar Bouras, this essay investigates the critical potential of aesthetic representation for apprehending the slow violence of nuclear imperialism that targets desert lives for destruction.","PeriodicalId":47353,"journal":{"name":"Representations","volume":"1 1","pages":""},"PeriodicalIF":0.9000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"Radiant Matter\",\"authors\":\"Jill Jarvis\",\"doi\":\"10.1525/rep.2022.160.3.54\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Beginning in 1960, the French military carried out seventeen nuclear bomb detonations at bases constructed for this purpose in what is now the Algerian Sahara. This French imperial “radiance” has left an enduring radiological and epistemological legacy whose effects are not yet known. Grounded by close attention to transmedial works by Elisabeth Leuvrey, Bruno Hadjih, and Ammar Bouras, this essay investigates the critical potential of aesthetic representation for apprehending the slow violence of nuclear imperialism that targets desert lives for destruction.\",\"PeriodicalId\":47353,\"journal\":{\"name\":\"Representations\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.9000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Representations\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1525/rep.2022.160.3.54\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Representations","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1525/rep.2022.160.3.54","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
Beginning in 1960, the French military carried out seventeen nuclear bomb detonations at bases constructed for this purpose in what is now the Algerian Sahara. This French imperial “radiance” has left an enduring radiological and epistemological legacy whose effects are not yet known. Grounded by close attention to transmedial works by Elisabeth Leuvrey, Bruno Hadjih, and Ammar Bouras, this essay investigates the critical potential of aesthetic representation for apprehending the slow violence of nuclear imperialism that targets desert lives for destruction.
期刊介绍：
An interdisciplinary journal edited by renowned scholars, Representations publishes trend-setting articles and criticism in a wide variety of fields in the humanities. In addition to special topical issues, tributes, and forums, inside you’ll find insightful coverage of: •The Body, Gender, and Sexuality •Culture and Law •Empire, Imperialism, and The New World •History and Memory •Narrative and Poetics •National Identities •Politics and Aesthetics •Philosophy and Religion •Race and Ethnicity •Science Studies •Society, Class, and Power •Visual Culture
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