{"title":"走不好","authors":"Louise Hornby","doi":"10.1525/rep.2022.160.4.90","DOIUrl":null,"url":null,"abstract":"Taking Bruce Nauman’s video installation Contrapposto Studies, I through VII (2015/2016) as its starting point, this essay explores the postural, moral, and political implications of walking’s instability, proposing that the instability of walking underwrites its condition. It builds on the feminist scholarship of Adriana Cavarero to challenge the philosophical assumptions of masculine uprightness and to reveal instead the temporal limits of human balance and the essential threat of the misstep.","PeriodicalId":47353,"journal":{"name":"Representations","volume":"1 1","pages":""},"PeriodicalIF":0.9000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Walking Badly\",\"authors\":\"Louise Hornby\",\"doi\":\"10.1525/rep.2022.160.4.90\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Taking Bruce Nauman’s video installation Contrapposto Studies, I through VII (2015/2016) as its starting point, this essay explores the postural, moral, and political implications of walking’s instability, proposing that the instability of walking underwrites its condition. It builds on the feminist scholarship of Adriana Cavarero to challenge the philosophical assumptions of masculine uprightness and to reveal instead the temporal limits of human balance and the essential threat of the misstep.\",\"PeriodicalId\":47353,\"journal\":{\"name\":\"Representations\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.9000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Representations\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1525/rep.2022.160.4.90\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Representations","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1525/rep.2022.160.4.90","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
Taking Bruce Nauman’s video installation Contrapposto Studies, I through VII (2015/2016) as its starting point, this essay explores the postural, moral, and political implications of walking’s instability, proposing that the instability of walking underwrites its condition. It builds on the feminist scholarship of Adriana Cavarero to challenge the philosophical assumptions of masculine uprightness and to reveal instead the temporal limits of human balance and the essential threat of the misstep.
期刊介绍：
An interdisciplinary journal edited by renowned scholars, Representations publishes trend-setting articles and criticism in a wide variety of fields in the humanities. In addition to special topical issues, tributes, and forums, inside you’ll find insightful coverage of: •The Body, Gender, and Sexuality •Culture and Law •Empire, Imperialism, and The New World •History and Memory •Narrative and Poetics •National Identities •Politics and Aesthetics •Philosophy and Religion •Race and Ethnicity •Science Studies •Society, Class, and Power •Visual Culture
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