当代电影工业镜头下的革命埃塞俄比亚

Q3 Arts and Humanities Northeast African Studies Pub Date : 2016-06-28 DOI:10.14321/NORTAFRISTUD.16.1.0167
Bitania Tadesse
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引用次数: 5

摘要

这篇文章评估了埃塞俄比亚历史电影是如何参与埃塞俄比亚革命的。它分析了当代埃塞俄比亚电影如何构建过去半个世纪的创伤事件,并有助于对埃塞俄比亚过去和现在的特殊意识形态理解。通过使用某些技巧和修辞,历史电影有助于并延续对1974年埃塞俄比亚革命及其相关事件的霸权意识形态解释。这篇文章解决了埃塞俄比亚电影业的文献空白,与撒哈拉以南非洲的其他电影院相比,这并不是学术分析的重点。
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Revolutionary Ethiopia through the Lens of the Contemporary Film Industry
This article assesses how Ethiopian historical films have engaged with the Ethiopian revolution. It analyzes the way in which contemporary Ethiopian cinema constructs the traumatic events of the past half century and in doing so contributes to a particular ideological understanding of Ethiopia’s past and present. Through utilizing certain techniques and tropes, historical films contribute to and perpetuate the hegemonic ideological interpretation of the Ethiopian Revolution of 1974 and the events associated with it. The article addresses the lacunae in the literature on the Ethiopian film industry, which in contrast to other cinemas in Sub-Saharan Africa has not been the focus of academic analysis.
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来源期刊
Northeast African Studies
Northeast African Studies Arts and Humanities-History
CiteScore
0.80
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The Quest for Self-Determination and the State in Ethiopia: The Oromo Popular Uprising of 2014–2017 in Historical Perspective Race, Gender, and Pageantry: The Ups and Downs of an African American Woman in Imperial Ethiopia Dr. Abebe Ambatchew (1934–2022) National Integration through Political Marginalization: Contradictions of Nation-Building in Ethiopia The Past of Ethiopia's Present: Unfolding Crises, Cyclical Violence, and Competing Nationalism
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