Terek - Instrumentumok -宿醉•空间-仪器-声音

Péter Mátrai
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引用次数: 0

摘要

九十年代初,我对声音和电子音乐产生了浓厚的兴趣。进行声乐实验,参加国内外音乐课程和工作坊。我创建了匈牙利应用艺术大学的录音室,在那里我教了11年的创意声音。在我的写作中,我展示了我的四场音乐表演(水库音乐会,dieffenBACHia, Invisible Cities, Apotheosis of the Brick),其中除了我的音乐理念之外,我所给予和创造的空间和物质条件也发挥了重要作用。我探索他们的艺术动机,空间,材料,声音-音乐的考虑,和技术成分。
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Terek – Instrumentumok – Hangok • Spaces—Instruments—Sounds
At the beginning of the nineties, I became intensely interested in sounds and electronic music. I performed vocal music experiments, participated in domestic and international music cours-es and workshops. I created the recording studio of the Hungarian University of Applied Arts, where I taught creative voice for 11 years. In my writing, I present four of my musical performanc-es (Reservoir Concert , dieffenBACHia , Invisible Cities , Apotheosis of the Brick), in which—in addition to my musical ideas—the spatial and material conditions given and created by me played an important role. I explore their artistic motives, spatial, material, sound-musical considerations, and technological components.
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