{"title":"他者替代理论","authors":"Rebecca Wanzo","doi":"10.1525/fq.2023.77.1.81","DOIUrl":null,"url":null,"abstract":"With the success of M3GAN (Gerard Johnstone, 2023) and unfolding conversations about Artificial Intelligence (AI) informing the WGA and SAG-AFTRA strikes, FQ columnist Rebecca Wanzo explores the question of labor in the AI film. Noting the limited repertoire of AI representations in television and film, Wanzo asks why so few AI stories go beyond familiar narratives to instead explore the complexities of constructing a laboring future in a world with AI. Drawing upon examples ranging from Metropolis (1927) to Wall-E (2008), Wanzo finds reason for both optimism and pessimism about AI and workers’ lives.","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Other Replacement Theory\",\"authors\":\"Rebecca Wanzo\",\"doi\":\"10.1525/fq.2023.77.1.81\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"With the success of M3GAN (Gerard Johnstone, 2023) and unfolding conversations about Artificial Intelligence (AI) informing the WGA and SAG-AFTRA strikes, FQ columnist Rebecca Wanzo explores the question of labor in the AI film. Noting the limited repertoire of AI representations in television and film, Wanzo asks why so few AI stories go beyond familiar narratives to instead explore the complexities of constructing a laboring future in a world with AI. Drawing upon examples ranging from Metropolis (1927) to Wall-E (2008), Wanzo finds reason for both optimism and pessimism about AI and workers’ lives.\",\"PeriodicalId\":45540,\"journal\":{\"name\":\"FILM QUARTERLY\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"FILM QUARTERLY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1525/fq.2023.77.1.81\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"FILM QUARTERLY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1525/fq.2023.77.1.81","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
With the success of M3GAN (Gerard Johnstone, 2023) and unfolding conversations about Artificial Intelligence (AI) informing the WGA and SAG-AFTRA strikes, FQ columnist Rebecca Wanzo explores the question of labor in the AI film. Noting the limited repertoire of AI representations in television and film, Wanzo asks why so few AI stories go beyond familiar narratives to instead explore the complexities of constructing a laboring future in a world with AI. Drawing upon examples ranging from Metropolis (1927) to Wall-E (2008), Wanzo finds reason for both optimism and pessimism about AI and workers’ lives.
期刊介绍：
Film Quarterly has been publishing substantial, peer-reviewed writing on motion pictures since 1958, earning a reputation as the most authoritative academic film journal in the United States. Its wide array of topics, perspectives, and approaches appeals to film scholars and film buffs alike. If you love all types of movies and are eager to encounter new ways of thinking about them, then Film Quarterly is the journal for you! Scholarly analyses of international cinemas, current blockbusters and Hollywood classics, documentaries, animation, and independent, avant-garde, and experimental film and video fill the pages of the journal.
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