在Laura Citarella的Trenque Lauquen中寻找Laura &意义

IF 0.6 3区 艺术学 0 FILM, RADIO, TELEVISION FILM QUARTERLY Pub Date : 2023-01-01 DOI:10.1525/fq.2023.77.1.86
Manuel Betancourt
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引用次数: 0

摘要

FQ特约编辑曼努埃尔·贝当古研究了当代电影的持续时间和劳拉·西塔雷拉的《龙宫》(2022)的有趣创新。这部260分钟的电影是El Pampero Cine的另一部作品,该团队制作了13小时的La Flor (Mariano Llinás, 2018),其中西塔雷拉担任制片人。在一个名叫劳拉的女人失踪之后,特伦克·劳奎恩在叙事和形式上都是一个递归的谜团,它抵制了传统的叙事期望,这些期望将阐明劳拉失踪的事件并使她为人所知。Betancourt写道,Trenque Lauquen通过创造性的实践保持了El Pampero Cine的DIY精神,挑战了前期制作,拍摄和编辑的线性过程,从而促进了Citarella将电影重新想象为一种体验活动。
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Looking for Laura & Meaning in Laura Citarella’s Trenque Lauquen
FQ contributing editor Manuel Betancourt examines duration in contemporary cinema and the playful innovations of Laura Citarella’s Trenque Lauquen (2022). The 260 minute film is another production by El Pampero Cine, the group that produced the thirteen hour La Flor (Mariano Llinás, 2018), on which Citarella served as producer. Following the disappearance of a woman named Laura, Trenque Lauquen is a recursive mystery both in narrative and form that resists traditional narrative expectations that would elucidate the events of Laura’s disappearance and make her knowable. Betancourt writes that Trenque Lauquen maintains El Pampero Cine’s DIY spirit through creative practices that challenge the linear progression of pre-production, shooting, and editing and in doing so, facilitate Citarella’s reimagining of cinema as an experiential event.
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来源期刊
FILM QUARTERLY
FILM QUARTERLY FILM, RADIO, TELEVISION-
CiteScore
0.40
自引率
40.00%
发文量
36
期刊介绍: Film Quarterly has been publishing substantial, peer-reviewed writing on motion pictures since 1958, earning a reputation as the most authoritative academic film journal in the United States. Its wide array of topics, perspectives, and approaches appeals to film scholars and film buffs alike. If you love all types of movies and are eager to encounter new ways of thinking about them, then Film Quarterly is the journal for you! Scholarly analyses of international cinemas, current blockbusters and Hollywood classics, documentaries, animation, and independent, avant-garde, and experimental film and video fill the pages of the journal.
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