普罗米修斯的束缚和索福克勒斯的伊纳科斯:新视角

IF 0.2 3区 历史学 N/A CLASSICS Trends in Classics Pub Date : 2020-11-01 DOI:10.1515/tc-2020-0017
K. Tsantsanoglou
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引用次数: 0

摘要

全文共分三章。在第一个,索菲。269c的玉米脆饼。16-24被认为是普罗米修斯绑定(PV)真实性的最早证据。经文宣称,在这里命名为赫尔墨斯trókhis的长老中有一位是有智慧的。这个描述爱马仕的词只在公元941年才被使用。索福克勒斯也不大可能在这里提到"明智的前辈",即。在戏剧中,除了埃斯库罗斯,没有别的悲剧演员。在第二章中,埃斯库罗斯的许多不同之处是通过参考第四等级的戏剧来解释的,这种戏剧通常由萨特剧所涵盖,但也经常与其他戏剧一起针对未受过教育和未受过教育的观众。因此,PV可以追溯到公元前472年,与波斯同时代,其中didascalia Προμηθεύς被命名为该作品的第四部戏剧。它被一致认为是萨特剧Προμηθε ς Πυρκαεύς,但作者认为它是PV,作为第四名的戏剧,它表现出许多风格上的特点。Προμηθε ς Πυρκαεύς是公元472年之后不久上演的普罗米修斯四联剧中的森林之神。有可能埃斯库罗斯和珀尔塞同时在锡拉库萨重新安置了波伏。与品达的《Pyth. 1》和《Epicharmus》的关系强化了472年的日期。第三章论述了《PV》序言中第三人言者的问题。这个问题是通过ο κρ末梢βας的技术发明来解决的,这也回答了前言的舞台上的正面性问题。
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Prometheus Bound and Sophocles’ Inachos: New Perspectives
Abstract The paper consists of three chapters. In the first, Soph. Inachos fr. 269c.16–24 is presented as the earliest testimony to the authenticity of Prometheus Bound (PV). The verses declare that the one of the elders who named here Hermes trókhis was wise. The word describing mockingly Hermes was employed only in PV 941. And it is very unlikely that Sophocles would name ‘wise predecessor here’, i. e. in the theater, any other tragedian than Aeschylus. In the second chapter, the numerous divergences from Aeschylean practice are explained by reference to the fourth-place drama, which was usually covered by the satyr-play, but frequently with other plays aimed at the uneducated and unrefined spectators. Thus, PV is dated in 472 BC, contemporary with the Persae, in whose didascalia Προμηθεύς is named as the fourth drama of the production. It is unanimously identified with the satyr-play Προμηθεὺς Πυρκαεύς, but the author identifies it with PV, which as a fourth-place drama presents many stylistic peculiarities. Προμηθεὺς Πυρκαεύς is then the satyr-play of the Prometheus tetralogy that was staged not long after 472. It is possible that Aeschylus restaged PV in Syracuse at the same time as Persae. A relationship with Pindar’s Pyth. 1 and with Epicharmus reinforces the dating in 472. The third chapter deals with the problem of the third speaking actor in the prologue of PV. The problem is approached through the technical contrivance of ὀκρίβας, which also answers the question of frontality in the staging of the prologue.
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Trends in Classics
Trends in Classics CLASSICS-
CiteScore
0.40
自引率
50.00%
发文量
9
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