{"title":"君士坦丁堡的罗马帝国晚期:基督教美德的化身与“非化身”","authors":"Sylvain Destephen","doi":"10.1515/bz-2022-0003","DOIUrl":null,"url":null,"abstract":"Abstract The question of the documentary value of the last statues of Late Antiquity has been much debated in many recent publications. This article contributes to this debate and addresses emperors’ statuary and its relation to the development of a Christian theology of the Late Roman emperorship. Traditionally, statues demonstrated the military, legal and economic power of Roman emperors, who were depicted as generals, judges or benefactors. Surprisingly, the Christianisation of imperial power seems to have had a limited influence upon the official iconography of emperors. The religious dimension rarely appeared on statues even though they became rarer in Late Antiquity. Whilst literary sources, especially Christian sources, increasingly mentioned emperors’ personal piety and demonstrative humility, particularly in the monumental context of Constantinople, imperial statues remained faithful to the traditional iconography of power that obliterated physical weakness and embodied autocratic power.","PeriodicalId":44281,"journal":{"name":"BYZANTINISCHE ZEITSCHRIFT","volume":"115 1","pages":"47 - 68"},"PeriodicalIF":0.2000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Late Roman emperorship in Constantinople: embodiment and ‘unbodiment’ of Christian virtues\",\"authors\":\"Sylvain Destephen\",\"doi\":\"10.1515/bz-2022-0003\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract The question of the documentary value of the last statues of Late Antiquity has been much debated in many recent publications. This article contributes to this debate and addresses emperors’ statuary and its relation to the development of a Christian theology of the Late Roman emperorship. Traditionally, statues demonstrated the military, legal and economic power of Roman emperors, who were depicted as generals, judges or benefactors. Surprisingly, the Christianisation of imperial power seems to have had a limited influence upon the official iconography of emperors. The religious dimension rarely appeared on statues even though they became rarer in Late Antiquity. Whilst literary sources, especially Christian sources, increasingly mentioned emperors’ personal piety and demonstrative humility, particularly in the monumental context of Constantinople, imperial statues remained faithful to the traditional iconography of power that obliterated physical weakness and embodied autocratic power.\",\"PeriodicalId\":44281,\"journal\":{\"name\":\"BYZANTINISCHE ZEITSCHRIFT\",\"volume\":\"115 1\",\"pages\":\"47 - 68\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"BYZANTINISCHE ZEITSCHRIFT\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/bz-2022-0003\",\"RegionNum\":3,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MEDIEVAL & RENAISSANCE STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"BYZANTINISCHE ZEITSCHRIFT","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/bz-2022-0003","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MEDIEVAL & RENAISSANCE STUDIES","Score":null,"Total":0}
Late Roman emperorship in Constantinople: embodiment and ‘unbodiment’ of Christian virtues
Abstract The question of the documentary value of the last statues of Late Antiquity has been much debated in many recent publications. This article contributes to this debate and addresses emperors’ statuary and its relation to the development of a Christian theology of the Late Roman emperorship. Traditionally, statues demonstrated the military, legal and economic power of Roman emperors, who were depicted as generals, judges or benefactors. Surprisingly, the Christianisation of imperial power seems to have had a limited influence upon the official iconography of emperors. The religious dimension rarely appeared on statues even though they became rarer in Late Antiquity. Whilst literary sources, especially Christian sources, increasingly mentioned emperors’ personal piety and demonstrative humility, particularly in the monumental context of Constantinople, imperial statues remained faithful to the traditional iconography of power that obliterated physical weakness and embodied autocratic power.
期刊介绍:
Steeped in tradition, this organ of international Byzantine studies covers literature, history and art history, including the related and peripheral disciplines, equally in all sections (essays, reviews, bibliographies) and thus contributes significantly to the support and development of Byzantine Studies.