{"title":"克罗埃西亚早期摄影作品:关于“缪斯圈子里太阳的新女儿”的论述的主要方面","authors":"Anamarija Šeparović","doi":"10.17234/sec.34.7","DOIUrl":null,"url":null,"abstract":"This article identifies the most important thematic points in early photography discourse through a critical reading of early essays that look at photography as a phenomenon. The research centers on the corpus of articles on photography published in Yugoslavian, mostly Croatian, periodicals from the beginning of the 20th century to 1941, mostly in magazines specialized in photography, which are the focus of special attention. The selection consists of articles dealing with the phenomena and divisions in the Croatian photography scene characterized by a strong polarization between professional and amateur photographers. The articles analyze photography as a cultural, social or ideological phenomenon, look into the question of the nature of photography as art or technology, as well as the establishment of a hierarchy of values with regard to photography genres, following trends on the European and world photography scene. Despite the fact that during the observed period the authors were still learning to write about photography, defining the subject and locating its central problems, and were looking for suitable methodologies, these writings constitute pioneering work, and the discussions would lay the foundation and framework for the development of an autonomous contemporary photography discourse.","PeriodicalId":40920,"journal":{"name":"Studia Ethnologica Croatica","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"EARLY WRITINGS ON PHOTOGRAPHY IN CROATIA: MAIN ASPECTS OF THE DISCOURSE ABOUT THE “NEW DAUGHTER OF THE SUN IN THE CIRCLE OF MUSES”\",\"authors\":\"Anamarija Šeparović\",\"doi\":\"10.17234/sec.34.7\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article identifies the most important thematic points in early photography discourse through a critical reading of early essays that look at photography as a phenomenon. The research centers on the corpus of articles on photography published in Yugoslavian, mostly Croatian, periodicals from the beginning of the 20th century to 1941, mostly in magazines specialized in photography, which are the focus of special attention. The selection consists of articles dealing with the phenomena and divisions in the Croatian photography scene characterized by a strong polarization between professional and amateur photographers. The articles analyze photography as a cultural, social or ideological phenomenon, look into the question of the nature of photography as art or technology, as well as the establishment of a hierarchy of values with regard to photography genres, following trends on the European and world photography scene. Despite the fact that during the observed period the authors were still learning to write about photography, defining the subject and locating its central problems, and were looking for suitable methodologies, these writings constitute pioneering work, and the discussions would lay the foundation and framework for the development of an autonomous contemporary photography discourse.\",\"PeriodicalId\":40920,\"journal\":{\"name\":\"Studia Ethnologica Croatica\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studia Ethnologica Croatica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.17234/sec.34.7\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"ANTHROPOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studia Ethnologica Croatica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.17234/sec.34.7","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"ANTHROPOLOGY","Score":null,"Total":0}
EARLY WRITINGS ON PHOTOGRAPHY IN CROATIA: MAIN ASPECTS OF THE DISCOURSE ABOUT THE “NEW DAUGHTER OF THE SUN IN THE CIRCLE OF MUSES”
This article identifies the most important thematic points in early photography discourse through a critical reading of early essays that look at photography as a phenomenon. The research centers on the corpus of articles on photography published in Yugoslavian, mostly Croatian, periodicals from the beginning of the 20th century to 1941, mostly in magazines specialized in photography, which are the focus of special attention. The selection consists of articles dealing with the phenomena and divisions in the Croatian photography scene characterized by a strong polarization between professional and amateur photographers. The articles analyze photography as a cultural, social or ideological phenomenon, look into the question of the nature of photography as art or technology, as well as the establishment of a hierarchy of values with regard to photography genres, following trends on the European and world photography scene. Despite the fact that during the observed period the authors were still learning to write about photography, defining the subject and locating its central problems, and were looking for suitable methodologies, these writings constitute pioneering work, and the discussions would lay the foundation and framework for the development of an autonomous contemporary photography discourse.
期刊介绍:
Studia ethnologica Croatica is an annual periodical which publishes peer reviewed articles that contribute to the development of empirical, methodological and theoretical insights and findings in the field of ethnology and cultural anthropology. Articles in related disciplines, as well as those with interdisciplinary and trans-disciplinary scope focusing on cultural phenomena and processes, are also welcomed. The journal is primarily focused on the area of Central and Southeast Europe, but it has a much wider outlook thus bringing together scientists of various and differing views, standpoints and approaches, those who come from the mentioned regions as well as those whose research focuses on them. The journal promotes studies based on ethnography, innovative approach to theoretical concepts and creative cultural criticism, grasping at the same time local reflections of the global processes, particularly cultural transformations and continuities in contemporary societies. Occasionally, a part of the journal is devoted to a particular topic related to certain actual issues or perspectives in various specific subdisciplines of ethnology and cultural anthropology. The journal also publishes book reviews.