作为现代-后现代神话创作对象的p. tychyna早期作品的哲学态度

H. Vdovychenko
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引用次数: 1

摘要

本文以研究tychyna早期作品在乌克兰、乌克兰苏维埃社会主义共和国、乌克兰和国外的哲学态度为例,将tychyna生平和创作的研究和神话化分为前苏联、苏联和后苏联三个阶段。在1918年至2019年期间,上述阶段形成的具体情况被系统地考虑在材料上,包括鲜为人知的,对国内外50多位Tychyna代表的研究,以及P. Tychyna及其同时代同事的诗歌,散文,科学新闻和书信遗产的广泛材料。在这一回顾的背景下,试图进行批判性的跨学科分析-文化,哲学和文学,现代主义和后现代神话化P. Tychyna早期创造力的意识形态基础和结果,作为乌克兰现代主义和社会主义现实主义文学的主要创造者和象征,总的来说,文化发展。本文确定了定义和研究20世纪至21世纪初P. Tychyna早期作品的哲学基础的三个主要方面:1)迄今为止,除了在其每个阶段的初步尝试外,在P. Tychyna研究中缺乏对该主题的表述和系统发展;2)这种研究的个人尝试的狭隘的专业,首先,几乎完全是文学或语言学,而不是专业的哲学和文化哲学;3)几乎所有这些研究的主要成就的主导条件,主要是苏联时期,民族人文发展的政治环境,因此,一贯的孤立主义-苏联-反欧洲神话的P. Tychyna的创作人物和遗产。鉴于此,在当代Tychyna研究中形成的跨学科,批判性地去神话化的科学研究背景下,这一主题的发展被认为是有前途的。
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PHILOSOPHICAL ATTITUDES OF THE EARLY WORKS OF P. TYCHYNA AS AN OBJECT OF MODERNIST-POSTMODERN MYTH CREATION
The article classifies and highlights three stages spanning the last hundred years – pre-Soviet, Soviet and post-Soviet, of research and mythol- ogization of the life and creation of P.Tychyna, using the example of studying the philosophical attitudes of his early work in the Ukrainian state, the Ukrainian SSR, Ukraine and abroad. The specifics of the formation of the mentioned stages during 1918 – 2019 were systematically considered on materials, including little-known, studies of more than fifty representatives of domestic and foreing tychynology, as well as a wide range of materi- als of the poetic, prosaic, scientific-journalistic and epistolary heritage of P. Tychyna and his contemporary colleagues. In the context of this review an attempt was made of critical interdisciplinary analysis – cultural and philosophical and literary, of the ideological foundations and the results of the modernist and postmodern mythologization of the early creativity of P. Tychyna as the leading creator and symbol of Ukrainian Modernist and Socialist-Realistic literature and, in general, cultural development. The article identifies three leading aspects of defining and studying the philosophical foundations of P. Tychyna's early work in the twentieth – early twenty first centuries: 1) the absence of the formulation and systematic development of the topic in P. Tychyna studies, except for the initial attempts at each of its stages, so far; 2) the narrow specialty of individual attempts at such research, first of all, almost entirely literary or linguistic, but not professional philosophical and cultural philosophical; 3) the dominant conditionality of the major achievements of almost all of these studies, mainly the Soviet period, the political environment of the development of national humanities and, as a consequence, the consistent isolationist-Soviet-anti-European mythology of P. Tychyna's creative figure and heritage. In view of this, the development of this topic in the context of an interdisciplinary, critically-demythologizing scientific search, formed in the contemporary P. Tychyna studies, has been identified as promising.
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