柏格森的直觉主义是解释过程的催化剂

O. Onyschenko
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引用次数: 0

摘要

本文分析了自1913年这位法国思想家的第一部英文译本出版以来,直觉主义“进入”欧洲哲学美学和艺术研究领域的过程。它表现为他的哲学观念转化为艺术创作领域的命题路线,并对二十世纪的艺术产生了影响。强调了现代乌克兰人文科学中所代表的直觉主义解释的例子。亨利·柏格森的著作在欧洲文化界非常流行,对其思想进行英语语言解释的第一次经验与格伯特·威尔多姆·卡尔(1859 - 1931)的名字有关,他在著作《柏格森哲学》中提出了对法国理论家观点的流行描述。强调的是,G.W.卡尔的解释模型使用了柏格森在20世纪头十年形成的“问题场”的系统化原则。本文特别关注“直觉主义”——它是“柏格森主义”的一部分,在这种语境下,“记忆”和“时间”这两个因素被赋予了特殊的理论负荷。柏格森在考察“时间”时,提出了“可逆性”和“不可逆性”两方面的考虑。研究表明,“记忆”和“时间”因素在先锋艺术、“新小说”派文学作品建构的“逻辑-逻辑”以及ХХ世纪70 - 80年代的欧洲电影中都被积极地运用。作为对“记忆”和“时间”的修饰的审美艺术体现的一个很好的例子,西班牙著名制片人卡洛斯·索罗的创作被认为是一个很好的例子。强调柏格森的一般观点体系中的一个特殊负荷是“直觉主义”,这在欧洲文化空间中受到哲学界和艺术家的高度赞赏。强调“直觉主义”的因素如智力、本能、直觉、时间、记忆等在研究领域仍然具有相关性。
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HENRI BERGSON'S INTUITIONISM AS A CATALYST OF INTERPRETING PROCESSES
The article analyses the process of intuitionism's "entry" into European philosophical – aesthetical and studying of art area from 1913 – the year of publishing the first English speaking interpretation of the French thinker. It is shown as the line of thesis of his philosophical conception transformed into the sphere of artistic creation and influenced on the art of the XX century. The examples of intuitionism's interpretation which are represented in modern Ukrainian human science have been accented. It is underlined that the first experience of English – language interpretation of Henri Bergson's ideas, whose works were very popular in European cultural area, is connected with the name of Gerbert Wildom Karr (1859 – 1931), who proposed popular account of the French theorists views in the work The philosophy of Bergson. The accent is made on the fact that G.W. Karr's interpretational model uses the principle of systematization of "the problem field" which H. Bergson formed during the first decade of the XX century. Special attention is paid to"intuitionalism" – composed part of "bergsonism" in the context of which a special theoretic loading lies on the factors "memory" and "time". Examining "time" H. Bergson proposes to take into consideration its "reversibility" and "non-reversibility". It is shown that factors "memory" and "time" were actively used in avant-garde art and in "logic – alogic" of the building of literary works of the school of "new novel" and in European cinematograph of the 70 – 80 years of the ХХ century. As a good example of aesthetic-artistic embodiment of the modifications of "memory" and "time" the creation of famous Spanish producer Karlos Sauro has been considered. It is emphasized that a special load in the general system of views of H. Bergson is "intuitionism", which in the European cultural space was highly appreciated by both the philosophical community and artists. It is emphasized that such factors of "intuitionism" as intelligence, instinct, intuition, time, memory, are still relevant in the research field.
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