乡土景观及其在创造性城市实践发展中的作用

Y. Butsykina
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摘要

本文致力于分析乡土景观概念,将其定义为城市内外的文化概念化。我们确定了该概念的关键特征,例如:社区、边界、时间发展(Jackson)、非专业人员的重复实践、可变性和多样性(Certeau)。我们确定了乡土景观文化研究的关键方法:具象和现象学。再现性方法处理的实践是指居民重复的习惯和习俗,日常实践表现在长期的田野研究和电影和视频材料的研究中。我们认为城市乡土景观形成的独特性和创造性是其本质特征。因此,塑造城市乡土景观的创造性实践具有以下特征:包容性、可重复性和熟悉性、非专业知识、非经济动机。创造力本身的本质允许有创造力的个体直接影响公共利益,改变其所在地(庭院、地区、城市等)的景观。战术城市主义的概念被认为是创意经济概念的另一种选择,它将乡土创意实践视为开发城市创意潜力的关键引擎。这种理解创造力的新方法极大地扩展了乡土景观的术语:无论是在物理上(因为它扩展了城市创意实践的地理范围,超越了创意阶层集中的某些地区,一直延伸到郊区),还是在本质上(创意实践被以更多不同的方式解释)。创意是最常见和最具启发性的创意实践类型之一,在城市乡土景观的质的转变中具有巨大的潜力。Yarnbombing是对城市空间进行这种战术干预的一个明显例子。
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VERNACULAR LANDSCAPE AND ITS ROLE IN THE DEVELOPMENT OF CREATIVE URBAN PRACTICES
The paper is devoted to the analysis of the vernacular landscape concept defined as one that is culturally conceptualized both within the city and outside it. We identified the key characteristics of the concept, such as: community, border, temporal development (Jackson), repetitive prac- tices of non-professionals, variability and diversity (Certeau). We determined the key methods of cultural research of the vernacular landscape: representational and phenomenological. Representational method deals with the practices that refer to the repetitive habits and customs of the dwellers, everyday practices that are manifested in long-term fields studies and film and video materials stydying. We considered the peculiarities of vernacular landscape formation in the city and creativity as its essential characteristic. Accordingly, creative practices that shape the vernacular landscape of the city have the following defining features: inclusiveness, repeatability and familiarity, non-expertise, non-economic motivation. The nature of creativity itself allows the creative individual to directly influence the common good, changing the landscape of her locus (yard, district, city, etc.). The concept of tactical urbanism is considered as an alternative to the concept of creative economy and one that sees vernacular crea- tive practices as a key engine for the development of creative potential of the city. This updated approach to understanding creativity significantly expands the term of vernacular landscape: both physically (because it expands the geography of creative practices of the city, going beyond cer- tain areas, where the creative class is concentrated, up to the suburbs) and substantively (creative practices are interpreted in many more variable key). Creativity is singled out as one of the most common and revealing types of creative practices that have great potential in the qualitative trans- formation of the vernacular landscape of the city. Yarnbombing is a clear example of such a tactical intervention in urban space.
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