乌克兰独立期间基辅文化景观的转变

A. Hladká
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引用次数: 0

摘要

这篇文章是关于基辅文化景观的文化分析,它由复杂的元素组成,如建筑景观和公共空间、历史和文化遗产、文化创意产业、媒体,以及活跃的消费者和沉思者等外部因素。我们观察到,在独立期间,由于日常文化的现代变化,基辅的文化景观发生了根本性的变化。本文基于Harry Trayandis, Sarah Dawkins, Sophia Nartova-Bochaver对心理空间的多学科研究,Benjamin Cope的视觉人类学,Nerius Millerus, Neil Brenchby-Barbury-Simbros等人对休闲实践转型的分析。恩斯特·卡西尔、曼努埃尔·卡斯特、阿诺德·汤因比和托尔科特·帕森斯的科学发展是构建工作方法论的重要核心理论。城市文化景观的发展,以及对文化服务生产的重视,都体现了整体文化观的转变。如果说这座城市曾经是生产商品的“工厂”,那么它现在就是一个服务市场。城市里越来越多的地方可以进行文化活动。因此,资本在城市中自由流动,推动了文化环境的扩张。测绘居民的日常文化实践正在演变成一种测绘城市区域和工业的技术。现代地理学家,如尼尔·布伦纳、大卫·赫维和其他人已经认识到西方城市在20世纪70年代的空间变化。这座城市的发展,尤其是它的文化环境,始于1991年乌克兰的独立。“Antropolis: wspóczesny Gdask w wymiarze symbolicznym”对我们来说是一个重要的资源。这是对格但斯克的城市人类学的研究,从一个德国城市到一个波兰城市,城市的建筑在第二次世界大战期间被拆除。文章中详述的经验被用来为乌克兰城市的重建提出解决方案。从1991年至今,没有对基辅和其他乌克兰城市的城市文化景观和社会文化现象的转变过程进行文化调查。乌克兰城市的文化景观正在改变,正在确定当地社区参与城市文化景观改变的文化坐标。
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TRANSFORMATION OF CULTURAL LANDSCAPE OF KYIV DURING THE INDEPENDENCE OF UKRAINE
The article is about a cultural analysis of Kyiv's cultural landscape, which is made up of a complex of elements such as an architectural ensem- ble and public spaces, historical and cultural heritage objects, cultural and creative industries, media, along with external agents such as active consumers and contemplators. We observe the fundamental changes in Kyiv's cultural landscape during the period of independence, as a result of modern changes in everyday culture. The article is based on multidisciplinary researches on the psychological space of Harry Trayandis, Sarah Dawkins, Sophia Nartova-Bochaver, visual anthropology of Benjamin Cope, Nerius Millerus, analysis of the transformation of leisure practices of Neil Brenchby-Barbury-Simbros and others. The scientific developments of Ernst Cassirer, Manuel Castells, Arnold Toynbee, and Tolcott Parsons are important core theories on which the methodology of work is built. The transformation in the overall cultural viewpoint may be seen in the development of urban cultural landscapes, as well as the increased em- phasis on the production of cultural services. If the city used to be a "factory" for producing goods, it is now a market for services. Cities are be- coming more and more places where cultural practices can be carried out. As a result, capital freely flows in the city, fueling the expansion of the cultural environment. Mapping residents' daily cultural practices is evolving into a technique for mapping urban area and industries. Modern geog- raphers like Neil Brenner, David Hervey, and others have recognized 1970s-era spatial alterations in Western cities. The city development, particu- larly its cultural environment, began with Ukraine's independence in 1991. "Antropolis: wspóczesny Gdask w wymiarze symbolicznym" is a signifi- cant resource for us. It is a study of Gdansk's urban anthropology from a German to a Polish city after the city's architectural ensemble was demol- ished during WWII. The experience detailed in the essay is used to propose solutions for the rebuilding of Ukrainian cities. From 1991 to the present, a cultural investigation of the transformative processes of urban cultural landscapes and socio-culture phenomena in Kyiv and other Ukrainian cities has not been conducted. The cultural landscapes of Ukrainian cities are being transformed, and the cultural coordi- nates of local communities' social engagement in the alteration of the cultural landscape of cities are being determined.
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