待定

IF 0.2 0 MUSIC Journal of World Popular Music Pub Date : 2022-06-22 DOI:10.1558/jwpm.23352
Johannes Krause, Jan Üblacker, Katharina Huseljić, Niklas Blömeke, Heiko Rühl
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引用次数: 2

摘要

2019冠状病毒病大流行和相关的现场音乐场馆关闭,使德国的运营商对其场馆的前景面临根本的不确定性。在2020年夏天,公众和政治辩论都围绕着运营商在危机期间是否必须关闭或保持开放的问题,总体观点是关闭是最明智的选择。利用德国现场音乐调查(n = 686)的数据和线性回归模型,本文分析了影响破产预期持续时间的因素。我们表明,国家提供的持续财政支持延长了预期的破产时间,定期使用场地的参与者和倡议的数量也延长了预期的破产时间。另一方面,拥有市场场馆、租赁场馆和大城市场馆的运营商的预期更为悲观。研究结果显示了国家支持和多样化现场音乐网络在危机时期的保障功能,对促进弹性现场音乐生态具有重要意义。
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To Be Announced
The COVID-19 pandemic and the associated closures of live music venues have confronted operators in Germany with fundamental uncertainty about the prospects of their venues. In the summer of 2020, both public and political debates revolved around the question of whether operators might have to close or could remain open during the crisis, with the overarching viewpoint being that closures were the most sensible option. Using data from the German live music survey (n = 686) and linear regression modelling, this article analyses the factors influencing the expected duration until insolvency. We show that the continuous financial support provided by the state extended the expected time to insolvency, as did the number of actors and initiatives using venues on a regular basis. On the other hand, operators with market venues, venues for lease and venues in big cities had more pessimistic expectations. The results demonstrate the safeguarding function of state support and diverse live music networks in times of crisis and bear important implications for the promotion of resilient live music ecologies.
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
12
期刊介绍: Journal of World Popular Music is a peer-reviewed academic journal that publishes research and scholarship on recent issues and debates surrounding international popular musics, also known as World Music, Global Pop, World Beat or, more recently, World Music 2.0. The journal provides a forum to explore the manifestations and impacts of post-globalizing trends, processes, and dynamics surrounding these musics today. It adopts an open-minded perspective, including in its scope any local popularized musics of the world, commercially available music of non-Western origin, musics of ethnic minorities, and contemporary fusions or collaborations with local ‘traditional’ or ‘roots’ musics with Western pop and rock musics. Placing specific emphasis on contemporary, interdisciplinary, and international perspectives, the journal’s special features include empirical research and scholarship into the global creative and music industries, the participants of World Music, the musics themselves and their representations in all media forms today, among other relevant themes and issues; alongside explorations of recent ideas and perspectives from popular music, ethnomusicology, anthropology, musicology, communication, media and cultural studies, sociology, geography, art and museum studies, and other fields with a scholarly focus on World Music. The journal also features special, guest-edited issues that bring together contributions under a unifying theme or geographical area.
期刊最新文献
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