Johannes Krause, Jan Üblacker, Katharina Huseljić, Niklas Blömeke, Heiko Rühl
{"title":"待定","authors":"Johannes Krause, Jan Üblacker, Katharina Huseljić, Niklas Blömeke, Heiko Rühl","doi":"10.1558/jwpm.23352","DOIUrl":null,"url":null,"abstract":"The COVID-19 pandemic and the associated closures of live music venues have confronted operators in Germany with fundamental uncertainty about the prospects of their venues. In the summer of 2020, both public and political debates revolved around the question of whether operators might have to close or could remain open during the crisis, with the overarching viewpoint being that closures were the most sensible option. Using data from the German live music survey (n = 686) and linear regression modelling, this article analyses the factors influencing the expected duration until insolvency. We show that the continuous financial support provided by the state extended the expected time to insolvency, as did the number of actors and initiatives using venues on a regular basis. On the other hand, operators with market venues, venues for lease and venues in big cities had more pessimistic expectations. The results demonstrate the safeguarding function of state support and diverse live music networks in times of crisis and bear important implications for the promotion of resilient live music ecologies.","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"To Be Announced\",\"authors\":\"Johannes Krause, Jan Üblacker, Katharina Huseljić, Niklas Blömeke, Heiko Rühl\",\"doi\":\"10.1558/jwpm.23352\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The COVID-19 pandemic and the associated closures of live music venues have confronted operators in Germany with fundamental uncertainty about the prospects of their venues. In the summer of 2020, both public and political debates revolved around the question of whether operators might have to close or could remain open during the crisis, with the overarching viewpoint being that closures were the most sensible option. Using data from the German live music survey (n = 686) and linear regression modelling, this article analyses the factors influencing the expected duration until insolvency. We show that the continuous financial support provided by the state extended the expected time to insolvency, as did the number of actors and initiatives using venues on a regular basis. On the other hand, operators with market venues, venues for lease and venues in big cities had more pessimistic expectations. The results demonstrate the safeguarding function of state support and diverse live music networks in times of crisis and bear important implications for the promotion of resilient live music ecologies.\",\"PeriodicalId\":40750,\"journal\":{\"name\":\"Journal of World Popular Music\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-06-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of World Popular Music\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1558/jwpm.23352\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of World Popular Music","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1558/jwpm.23352","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
The COVID-19 pandemic and the associated closures of live music venues have confronted operators in Germany with fundamental uncertainty about the prospects of their venues. In the summer of 2020, both public and political debates revolved around the question of whether operators might have to close or could remain open during the crisis, with the overarching viewpoint being that closures were the most sensible option. Using data from the German live music survey (n = 686) and linear regression modelling, this article analyses the factors influencing the expected duration until insolvency. We show that the continuous financial support provided by the state extended the expected time to insolvency, as did the number of actors and initiatives using venues on a regular basis. On the other hand, operators with market venues, venues for lease and venues in big cities had more pessimistic expectations. The results demonstrate the safeguarding function of state support and diverse live music networks in times of crisis and bear important implications for the promotion of resilient live music ecologies.
期刊介绍:
Journal of World Popular Music is a peer-reviewed academic journal that publishes research and scholarship on recent issues and debates surrounding international popular musics, also known as World Music, Global Pop, World Beat or, more recently, World Music 2.0. The journal provides a forum to explore the manifestations and impacts of post-globalizing trends, processes, and dynamics surrounding these musics today. It adopts an open-minded perspective, including in its scope any local popularized musics of the world, commercially available music of non-Western origin, musics of ethnic minorities, and contemporary fusions or collaborations with local ‘traditional’ or ‘roots’ musics with Western pop and rock musics. Placing specific emphasis on contemporary, interdisciplinary, and international perspectives, the journal’s special features include empirical research and scholarship into the global creative and music industries, the participants of World Music, the musics themselves and their representations in all media forms today, among other relevant themes and issues; alongside explorations of recent ideas and perspectives from popular music, ethnomusicology, anthropology, musicology, communication, media and cultural studies, sociology, geography, art and museum studies, and other fields with a scholarly focus on World Music. The journal also features special, guest-edited issues that bring together contributions under a unifying theme or geographical area.