今晚在墨尔本:流行/摇滚的历史和未来

IF 0.2 Q3 Arts and Humanities Perfect Beat Pub Date : 2017-06-23 DOI:10.1558/PRBT.32801
Shane Homan, S. O’Hanlon, C. Strong, J. Tebbutt
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引用次数: 1

摘要

近几十年来,“音乐之城”已经成为表征、资本、劳动力、声音和商品的重要系列(和交换)。城市遗产和历史——特别是音乐发展、流派、场地和人员的叙述——继续为当代城市的品牌、旅游和工业战略提供信息。本文探讨了“音乐城市”的实践和话语如何在特定的历史中循环,以及它们如何反过来影响当代实践和未来意图。墨尔本,自称是澳大利亚的音乐和文化之都,作为一个研究过去和现在如何循环的案例。本文还探讨了记录墨尔本流行音乐从20世纪50年代至今的出现和发展所面临的挑战,这是一个为期三年的澳大利亚研究委员会发现项目,审问音乐之城:墨尔本的文化经济和流行音乐,资助于2016年至2018年。
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In Melbourne tonight:: Pop/rock histories and futures
In recent decades the 'music city' has emerged as an important series (and exchanges) of representations, capital, labour, sounds and commodities. City heritage and histories-particular narratives of music development, genres, venues and personnel-continue to inform contemporary city branding, tourism and industrial strategies. This article explores how both the practices and discourses of the 'music city' circulate in terms of specific histories, and how, in turn, they might inform contemporary practices and future intent. Melbourne, the self-proclaimed music and cultural capital of Australia, is examined as a case study in how the past and present circulate. The article also explores the challenges in documenting the emergence and development of popular music in Melbourne from the 1950s to the present as a three-year Australian Research Council Discovery project, Interrogating the Music City: Cultural Economy and Popular Music in Melbourne, funded from 2016 to 2018.
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Perfect Beat
Perfect Beat MUSIC-
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