{"title":"Dennis Kamakahi牧师的访谈:“Ka Manu”和与过去的对话","authors":"Joseph Keola Donaghy","doi":"10.1558/PRBT.V16I1-2.29125","DOIUrl":null,"url":null,"abstract":"0 0 1 141 807 University of Hawai'i at Hilo 6 1 947 14.0 Normal 0 false false false EN-US JA X-NONE Normal 0 false false false EN-US JA X-NONE In this Riff article, Keola Donaghy interviews the now late Rev. Dennis David Kahekilimamaoikalanikeha Kamakahi (b.1953-d.2014), one of the most renowned and beloved Hawaiian composers and performers of the late twentieth and early twenty-first centuries. This interview was originally arranged to discuss and examine elements and characteristics of mele (Hawaiian language poetic or song compositions). Over the course of their discussion, however, we learn about the important process of knowledge transmission from his elder mentors (composers who were native speakers of Hawaiian) to Kamakahi, particularly in relation to the nineteeth century composition “Ka Manu”. Today, Hawaiian composers look to the past for knowledge, inspiration, and models from which they can create their own compositions. This interview with Kamakahi reveals insights into an otherwise undisclosed Hawaiian musical ‘past’, concerning his mentors and the central character of the mele .","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":"16 1","pages":"101-119"},"PeriodicalIF":0.2000,"publicationDate":"2015-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"An interview with Rev. Dennis Kamakahi: “Ka Manu” and conversations with the past\",\"authors\":\"Joseph Keola Donaghy\",\"doi\":\"10.1558/PRBT.V16I1-2.29125\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"0 0 1 141 807 University of Hawai'i at Hilo 6 1 947 14.0 Normal 0 false false false EN-US JA X-NONE Normal 0 false false false EN-US JA X-NONE In this Riff article, Keola Donaghy interviews the now late Rev. Dennis David Kahekilimamaoikalanikeha Kamakahi (b.1953-d.2014), one of the most renowned and beloved Hawaiian composers and performers of the late twentieth and early twenty-first centuries. This interview was originally arranged to discuss and examine elements and characteristics of mele (Hawaiian language poetic or song compositions). Over the course of their discussion, however, we learn about the important process of knowledge transmission from his elder mentors (composers who were native speakers of Hawaiian) to Kamakahi, particularly in relation to the nineteeth century composition “Ka Manu”. Today, Hawaiian composers look to the past for knowledge, inspiration, and models from which they can create their own compositions. This interview with Kamakahi reveals insights into an otherwise undisclosed Hawaiian musical ‘past’, concerning his mentors and the central character of the mele .\",\"PeriodicalId\":41217,\"journal\":{\"name\":\"Perfect Beat\",\"volume\":\"16 1\",\"pages\":\"101-119\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2015-11-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Perfect Beat\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1558/PRBT.V16I1-2.29125\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Perfect Beat","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1558/PRBT.V16I1-2.29125","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
在这篇Riff文章中,Keola Donaghy采访了已故的Rev. Dennis David Kahekilimamaoikalanikeha Kamakahi(生于1953年至2014年),他是20世纪末和21世纪初最著名、最受欢迎的夏威夷作曲家和表演者之一。这次采访原本是为了讨论和研究mele(夏威夷语诗歌或歌曲作品)的元素和特征。然而,在他们的讨论过程中,我们了解了他的前辈导师(以夏威夷语为母语的作曲家)向卡马卡希传授知识的重要过程,特别是与19世纪作曲“Ka Manu”有关的知识。今天,夏威夷作曲家向过去寻求知识、灵感和模式,从中创作自己的作品。这次对Kamakahi的采访揭示了他对夏威夷音乐“过去”的见解,以及他的导师和这场混战的中心人物。
An interview with Rev. Dennis Kamakahi: “Ka Manu” and conversations with the past
0 0 1 141 807 University of Hawai'i at Hilo 6 1 947 14.0 Normal 0 false false false EN-US JA X-NONE Normal 0 false false false EN-US JA X-NONE In this Riff article, Keola Donaghy interviews the now late Rev. Dennis David Kahekilimamaoikalanikeha Kamakahi (b.1953-d.2014), one of the most renowned and beloved Hawaiian composers and performers of the late twentieth and early twenty-first centuries. This interview was originally arranged to discuss and examine elements and characteristics of mele (Hawaiian language poetic or song compositions). Over the course of their discussion, however, we learn about the important process of knowledge transmission from his elder mentors (composers who were native speakers of Hawaiian) to Kamakahi, particularly in relation to the nineteeth century composition “Ka Manu”. Today, Hawaiian composers look to the past for knowledge, inspiration, and models from which they can create their own compositions. This interview with Kamakahi reveals insights into an otherwise undisclosed Hawaiian musical ‘past’, concerning his mentors and the central character of the mele .