利希尔的音乐景观:探索博物馆展览中的表演和场所

IF 0.2 Q3 Arts and Humanities Perfect Beat Pub Date : 2016-04-25 DOI:10.1558/PRBT.V17I1.27010
Kirsty Gillespie
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引用次数: 1

摘要

此次展览名为“利希尔的音乐景观”,是与利希尔文化遗产协会合作策划的,展示了巴布亚新几内亚新爱尔兰省利希尔群岛的表演文化文物。作为生态音乐学研究的一个例子,该展览于2013年3月1日至8月4日在澳大利亚布里斯班的昆士兰大学人类学博物馆举行。展览汇集了当代利希尔与表演有关的物品(其中许多是专门为展览制作的),从美国芝加哥菲尔德自然历史博物馆借来的利希尔文物,以及多媒体物品,包括设置音频和视觉场景的电影和录音。展览的目的是多方面的:向外界展示利希尔文化,说明利希尔的表演实践范围,并询问这些实践与利希尔景观的关系。本章从策展人的角度阐述了表演与利希尔环境之间的联系是如何解决的,并探讨了围绕在博物馆背景下展示利希尔表演文化的一些策展决策、建立的关系和挑战。
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Musical landscapes of Lihir: exploring performance and place in a museum exhibition
The exhibition, ‘Musical Landscapes of Lihir’, curated in collaboration with the Lihir Cultural Heritage Association, presented artefacts of performance culture from the Lihir Islands in New Ireland Province, Papua New Guinea. An example of ecomusicological research, the exhibition ran from March 1 through to August 4, 2013 at The University of Queensland Anthropology Museum, Brisbane, Australia. The exhibition brought together contemporary Lihir items related to performance (many of which were made especially for the exhibition), an international loan of Lihir artefacts from The Field Museum of Natural History in Chicago, USA, and multimedia items including film and sound recordings that set the audio and visual scene. The aims of the exhibition were multiple: to showcase Lihir culture to the outside world, to illustrate the range of performance practices in Lihir, and to interrogate the relationship of these practices to the Lihir landscape. This chapter gives the curatorial perspective on how this nexus between performance and the Lihir environment was addressed, and examines some of the curatorial decisions, relationships built, and challenges surrounding the display of Lihir performance culture in the museum context.
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Perfect Beat
Perfect Beat MUSIC-
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