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引用次数: 0
摘要
“Bermulanya Di Sini……“keah Tua”在舞台表演的艺术背景下展示了keah Tua早期社会的历史数据解释,展示了一系列舞蹈和舞台表演。本文的目的是通过展示身体动作的哲学以及与空间中物体设计的联系,从设计师-制造者的角度来阐述舞台表演道具的制作过程。此外,道具制作还包括模仿和建造两个规模较大的建筑人工制品,即古代炼铁炉和圆形仪式纪念碑,它们显著地体现了公元2至6世纪吉打图亚社会的早期文明。研究设计团队利用金属丝结构的纸机技术和不同尺寸的聚苯乙烯泡沫板成功地构建了古建筑的道具。为了适应舞台上的表演需要,在道具的设计中引入了模块化的概念,嵌入了物品的实用性、便携性、易拆装性等元素。
The Making of the Artefacts and Architectural Remains as Props for the Performance of "Bermulanya Di Sini…Kedah Tua"
"Bermulanya Di Sini...Kedah Tua" demonstrates a historical data interpretation of the Kedah Tua early society at Sungai Batu within the artistic context of stage performance demonstrating series of dance and stage act. The purpose of this paper is to elucidate the props making process for the stage performance from a designer-maker point of view, by demonstrating the philosophy of body movements and the connection to object designs in space. Furthermore, the props making encompasses the imitation and construction of two scaled building artefacts which are the ancient iron smelting furnace and the circular ritual monument that significantly embodies the early civilisation of Kedah Tua society between the 2nd and 6th CE. The research-design team has successfully constructed the ancient buildings' props using wire structured paper maché technique and Styrofoam sheets assembling in various scaled sizes. In order to accommodate the performance need on the stage, the modular concept have been introduced in the design of the props by embedding the elements of object's practicality, portability and, easy assembling and disassembling.
期刊介绍:
Wacana Seni Journal of Arts Discourse, a refereed journal of the School of the Arts, published by Penerbit Universiti Sains Malaysia, promotes the advancement of scholarly knowledge about the arts and design particularly in Malaysia and Asia. The journal publishes articles with theoretical approaches from various disciplines, artists’ statements about creative processes, conversational dialogues with prominent artists, as well as reviews of books, recordings, exhibitions, and performances.