即兴作为音乐教育流动的基础:与态度、性别和体裁的联系

Q4 Social Sciences Journal of Elementary Education Pub Date : 2022-09-01 DOI:10.18690/rei.15.3.339-356.2022
Kaja Korošec, Blaženka Bačilija Susić, Katarina Habe
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引用次数: 0

摘要

我们研究的目的是探索即兴创作和心流之间的联系。数据收集自来自斯洛文尼亚和克罗地亚的252名大专音乐学生(121名男性和131名女性音乐家),他们填写了“音乐即兴态度问卷”、“与音乐即兴相关的感受清单”和“工作流程清单”。结果表明:女生对即兴创作的负面情绪和态度显著增加,即兴创作的心流体验明显减少;当将只演奏古典音乐的学生与演奏其他类型音乐的学生进行比较时,差异更加明显。回归分析表明,我们可以解释71%的心流差异与对即兴创作的态度。
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Improvisation as the Foundation of Flow in Music Education: Connections to Attitudes, Gender and Genre
The aim of our study was to explore the connection between improvisation and flow. Data were collected from 252 tertiary music students from Slovenia and Croatia (121 male and 131 female musicians), who filled in The Questionnaire on Attitudes to Music Improvisation, The Inventory on Feelings associated with Music Improvisation, and the Work-related Flow Inventory. The results show that the female students have significantly more negative feelings and attitudes toward improvisation, and they experience less flow while improvising. Differences were even more pronounced when comparing students who only played classical music with those who played other genres, as well. Regression analysis showed that we can explain 71% of the variance in flow with attitudes toward improvisation.
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来源期刊
Journal of Elementary Education
Journal of Elementary Education Social Sciences-Education
CiteScore
0.80
自引率
0.00%
发文量
9
审稿时长
11 weeks
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