{"title":"奥斯特洛夫斯基艺术人类学中的“美的陷阱”","authors":"T. Alpatova","doi":"10.18384/2310-7278-2023-2-56-65","DOIUrl":null,"url":null,"abstract":"Aim . The central task of the paper is to analyze the dynamics of the development of the concept of beauty in A. N. Ostrovsky’s plays, considering its genesis and development specifics in the context of the playwright’s artistic anthropology. We also reveal the contradictions and dramatic conflicts caused by beauty as a defining characteristic of a character","PeriodicalId":33191,"journal":{"name":"Vestnik Moskovskogo gosudarstvennogo oblastnogo universiteta Seriia Russkaia filologiia","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“The Beauty Trap” in Artistic Anthropology of A. Ostrovsky\",\"authors\":\"T. Alpatova\",\"doi\":\"10.18384/2310-7278-2023-2-56-65\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Aim . The central task of the paper is to analyze the dynamics of the development of the concept of beauty in A. N. Ostrovsky’s plays, considering its genesis and development specifics in the context of the playwright’s artistic anthropology. We also reveal the contradictions and dramatic conflicts caused by beauty as a defining characteristic of a character\",\"PeriodicalId\":33191,\"journal\":{\"name\":\"Vestnik Moskovskogo gosudarstvennogo oblastnogo universiteta Seriia Russkaia filologiia\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Vestnik Moskovskogo gosudarstvennogo oblastnogo universiteta Seriia Russkaia filologiia\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18384/2310-7278-2023-2-56-65\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Vestnik Moskovskogo gosudarstvennogo oblastnogo universiteta Seriia Russkaia filologiia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18384/2310-7278-2023-2-56-65","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
“The Beauty Trap” in Artistic Anthropology of A. Ostrovsky
Aim . The central task of the paper is to analyze the dynamics of the development of the concept of beauty in A. N. Ostrovsky’s plays, considering its genesis and development specifics in the context of the playwright’s artistic anthropology. We also reveal the contradictions and dramatic conflicts caused by beauty as a defining characteristic of a character