动画电影中女性身份建构的思考——以迪士尼电影和宫崎骏电影为例

Hilal Taşkin, Ayda SABUNCUOĞLU İNANÇ
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引用次数: 0

摘要

观察到,在传统的社会结构秩序中,女性的一系列角色被定位在美丽和有吸引力的形容词的框架内,她们没有离开家的生活。可以看出,在向现代主义过渡的过程中,女性的身份要素开始发生变化。在研究范围内,通过动画电影中的女性角色来分析女性身份从传统时期到现在的变化。本文从符号学的角度分析了1984年至2022年间制作的20张迪士尼和宫崎骏动画电影的海报,并将其置于女性身份建构的语境中。寻求五个基本问题的答案,包括海报中确定的妇女身份的作用,对美的强加,对妇女存在的环境压力因素,以及妇女身份经历的变化的反映,直到后现代时期。根据研究结果;随着时间的推移,女性在迪士尼动画海报中的形象发生了变化,角色变得更加个性化,她们追求自由。此外,研究结果表明,宫崎骏动画电影中的女性角色不受美貌的强加,不需要男性英雄,甚至有一种定位于救世主角色的身份结构。
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Reflections of the Female Identity Constructions in Animation Movies: An Analysis on of Disney and Hayao Miyazaki Movies
It is observed that women have a series of roles that are positioned within the framework of beautiful and attractive adjectives in the traditional order of social structure and they do not have a life away from home. It has been seen that the identity elements of women have begun to change during the transition to the process of modernism. Within the scope of the study, the changes that the female identity has undergone from the traditional period to the present were analyzed through the female characters in animated films. Twenty posters of Disney and Hayao Miyazaki animated films made between 1984 and 2022 were analyzed by semiotics in the context of female identity construction. The answer to five basic questions were sought, which include the roles identified with women's identity in the posters, the imposition of beauty, the existence of environmental pressure elements on women, as well as the reflections of the change that women's identity has experienced until the postmodern period. According to the research results; over time, the representation of women in Disney animated posters has changed and the characters became more individualized women who pursue their freedom. Additionally, research results showed that Hayao Miyazaki's female characters in animated movies were not subjected to the imposition of beauty, did not need a male hero, and even had an identity structure in which they were positioned in the role of savior.
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发文量
55
审稿时长
8 weeks
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