博物馆建筑的包容性分级:İstanbul现代博物馆

IF 0.6 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM International Journal of the Inclusive Museum Pub Date : 2022-01-01 DOI:10.18848/1835-2014/cgp/v16i01/17-30
Asena Kumsal Şen Bayram, Yekta Özgüven, Filiz Irem Memisoglu, Dogan Zafer Erturk
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引用次数: 0

摘要

当代博物馆为教育、研究和娱乐服务,其主要目标是收集、记录和展示文化遗产。因此,博物馆建筑通过这些新的功能和活动成为城市生活的公共空间,而不是孤立的展览空间。他们定义了教育研究、社会和公共领域的包容性综合体,建立了与社会更有效的互动。根据多功能空间配置,这些活动可以胜任和适当地进行,以提供参与性和包容性的城市体验。在此背景下,本文旨在研究Ístanbul -Ístanbul现代博物馆第一座当代艺术博物馆的包容性水平——通过对博物馆各种设施的空间关系进行分级标准的建筑配置的详细检查。Ístanbul Modern的故事始于2004年对博斯普鲁斯码头旧仓库的重新运作。2018年,该博物馆暂时搬到了另一座历史建筑,在那里也经历了新的COVID-19大流行情况。Ístanbul Modern仍在搬回原来的位置,进入由Renzo Piano建筑工作室建筑师设计的新建筑,作为博物馆。通过三个阶段,建筑的包容性和参与性将通过一种发达的评级量表技术,通过定量分析,通过空间大小和关系,对所包含的社会文化活动进行交叉检验。这种方法将为未来博物馆建筑的研究提供初步的知识。
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Grading the Level of Inclusiveness in Museum Buildings: İstanbul Modern Museum
Contemporary museums serve for education, research, and enjoyment, and their primary objectives are collection, documentation, and exhibition of cultural heritage. Thus, museum buildings have become common spaces of urban life through these new functions and activities rather than isolated exhibition spaces. They define inclusive complexes with educational research and social and public areas, establishing more effective interaction with society. These activities can be performed competently and appropriately depending on the multi-functional spatial configuration to provide urban experiences with participation and inclusiveness. In this context, this paper aims to study the level of inclusiveness of the first contemporary art museum of Ístanbul—Ístanbul Modern Museum—through detailed examinations of the architectural configuration with grading criteria based on spatial relations in terms of various facilities of the museum. The story of Ístanbul Modern started by re-functioning the old Bosphorus dock’s warehouses in 2004. The museum temporarily moved to another historic building in 2018, where it has also experienced new COVID-19 pandemic conditions. Ístanbul Modern is still in a process of moving back to its former location into a new building designed as a museum by Renzo Piano Building Workshop Architects. Through three phases, inclusivity and participation of buildings will be cross-examined on a developed rating-scale technique based on included sociocultural activities by their spatial sizes and relations through quantitative analysis. This methodology will provide preliminary knowledge for future research on museum architectonics.
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来源期刊
International Journal of the Inclusive Museum
International Journal of the Inclusive Museum Arts and Humanities-Conservation
CiteScore
1.10
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0.00%
发文量
9
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