1987-1991年波罗的海歌唱革命现象:三首拉脱维亚歌曲作为非暴力抵抗的历史象征

IF 0.2 0 MUSIC Muzikologija-Musicology Pub Date : 2019-01-01 DOI:10.2298/MUZ1926027K
Janis Kudins
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引用次数: 0

摘要

“歌唱革命”一词(由爱沙尼亚艺术家海因茨·瓦尔克创造,生于1936年)通常用于1987年至1991年间发生在波罗的海国家的事件,这些事件导致爱沙尼亚、拉脱维亚和立陶宛恢复独立。三首歌——民歌P?t v霁?我!(吹,风!),由国家古典作曲家J?V齐柏林飞艇?工具(1863-1948)和歌曲Saule, P?rkons的《道加瓦》(Sun, Thunder, Daugava)由作曲家M?s Brauns(1951)——在当时的拉脱维亚有着特殊的社会意义。每首歌都代表了拉脱维亚文化和政治历史的不同层面。三首歌在歌唱革命过程中的特点是建立在远(客观)分析文化语境和近代史经验的方法和方法论之上的。因此,本文揭示了在20世纪80年代末拉脱维亚共产主义政权垮台期间,这三首歌曲作为非暴力抵抗象征的意义和接受。
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Phenomenon of the Baltic singing revolution in 1987-1991: Three Latvian songs as historical symbols of non-violent resistance
The denomination singing revolution (coined by Estonian artist Heinz Valk, b. 1936) is commonly used for events in Baltic States between 1987 and 1991 that led to the restoration of the independence of Estonia, Latvia and Lithuania. Three songs - the folk song P?t, v?ji?i! (Blow, Wind!), the choir song Gaismas pils (The Castle of Light) by the national classical composer J?zeps V?tols (1863-1948) and the song Saule, P?rkons, Daugava (Sun, Thunder, Daugava) by the composer M?rti?s Brauns (1951) - at that time in Latvia had a special significance in society. Each song represented references to different layers in Latvian cultural and political history. The characteristics of the three songs in the Singing Revolution process are based on the approach and methodology of distant (objective) analysis of cultural context and recent historical experience. As a result, this article reveals the meaning and reception of the three songs as symbols of nonviolent resistance during the fall of communist regime in Latvia in the late 1980s.
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