{"title":"匈牙利垮掉革命时期的“塞尔维亚联系”","authors":"Iván Miklós Szegő","doi":"10.2298/muz1927187s","DOIUrl":null,"url":null,"abstract":"The music market of Hungary was manipulated by state authorities and the communist party from the 1960s until the 1980s. That distorted environment is the reason why the careers of two of the greatest Hungarian beat stars of the Sixties differed so much: Levente Sz?r?nyi and Zor?n Sztevanovity were both partially or fully of Serbian origin, both were lead singers of their bands, and both were (in the first phase of their career) very careful with politics; however, their Serbian heritage and their family experiences were totally different, which explains their different behaviour during and after the Beat Revolution in Hungary.","PeriodicalId":30174,"journal":{"name":"Muzikologija-Musicology","volume":"1 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The “Serbian connection” in the age of the beat revolution in Hungary\",\"authors\":\"Iván Miklós Szegő\",\"doi\":\"10.2298/muz1927187s\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The music market of Hungary was manipulated by state authorities and the communist party from the 1960s until the 1980s. That distorted environment is the reason why the careers of two of the greatest Hungarian beat stars of the Sixties differed so much: Levente Sz?r?nyi and Zor?n Sztevanovity were both partially or fully of Serbian origin, both were lead singers of their bands, and both were (in the first phase of their career) very careful with politics; however, their Serbian heritage and their family experiences were totally different, which explains their different behaviour during and after the Beat Revolution in Hungary.\",\"PeriodicalId\":30174,\"journal\":{\"name\":\"Muzikologija-Musicology\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2019-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Muzikologija-Musicology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2298/muz1927187s\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Muzikologija-Musicology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2298/muz1927187s","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
The “Serbian connection” in the age of the beat revolution in Hungary
The music market of Hungary was manipulated by state authorities and the communist party from the 1960s until the 1980s. That distorted environment is the reason why the careers of two of the greatest Hungarian beat stars of the Sixties differed so much: Levente Sz?r?nyi and Zor?n Sztevanovity were both partially or fully of Serbian origin, both were lead singers of their bands, and both were (in the first phase of their career) very careful with politics; however, their Serbian heritage and their family experiences were totally different, which explains their different behaviour during and after the Beat Revolution in Hungary.
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