三个季节——布拉格之春、世界青年之夏和“索菲亚之秋”,或者:反事件、前卫和保加利亚新民俗浪潮的开始

IF 0.2 0 MUSIC Muzikologija-Musicology Pub Date : 2021-01-01 DOI:10.2298/muz2131049b
Patrick Becker-Naydenov
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引用次数: 0

摘要

本文论述了1968年保加利亚音乐文化中的事件。保加利亚新近出现在新千年的话语中,通常认为保加利亚人对布拉格之春的反应几乎不存在,如果仔细观察音乐和艺术,就会发现一幅更详细的画面。在这里,1968 ?尤其有趣的是,它见证了保加利亚新民俗浪潮的开始,挑战了现有的改编民间音乐的作曲模式。此外,在8月军事干预捷克斯洛伐克之前,保加利亚首都索非亚因举办第九届世界青年与学生节而成为国际关注的中心。最后,看看1968年11月保加利亚作曲家联盟举行的一系列臭名昭著的聚会,就会发现,不知名的主角设法销毁了本可以更好地揭示今年事件的书面证据。
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The Three Seasons - Prague Spring, World Youth Summer, and ‘Sofia Autumn,’ or: The anti-event, the avant-garde, and the beginning of Bulgaria’s new folklore wave
This article deals with the events of 1968 in Bulgarian musical culture. Departing from recent Bulgarian discourses that have emerged in the new millennium and often regard Bulgarian responses to the Prague Spring as nearly non-existing, a closer look at music and the arts reveals a more detailed picture. Here, ?1968? is especially interesting since it saw the beginning of a Bulgarian New Folklore Wave that challenged existing compositional models for adapting folk music. Furthermore, right before the military intervention in Czechoslovakia in August, the Bulgarian capital Sofia became a center of international attention for hosting the 9th World Festival of Youth and Students. Finally, a look at a series of infamous party meetings held at the Union of Bulgarian Composers in November 1968 reveals that unknown protagonists managed to destroy paper evidence that could have shed a better light at the events of this year.
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发文量
5
审稿时长
12 weeks
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