{"title":"“歪曲人民的口味”:罗马尼亚的卢利乌塔里和巴尔干问题","authors":"Roderick Lawford Charles","doi":"10.2298/MUZ2029085L","DOIUrl":null,"url":null,"abstract":"??Perverting the Taste of the People?: L?utari and the Balkan Question in Romania? considers the term ?Balkan? in the context of Romanian Romani music-making. The expression can be used pejoratively to describe something ?bar-baric? or fractured. In the ?world music? era, ?gypsy-inspired? music from the Balkans has become highly regarded. From this perspective ?Balkan? is seen as something desirable. The article uses the case of the Romanian ?gypsy? band Taraf de Ha?douks in illustration. Romania?s cultural and physical position with- in Europe can be difficult to locate, a discourse reflected in Romanian society itself, where many reject the description of Romania as a ?Balkan? country. This conflict has been contested through manele, a Romanian popular musical genre. In contrast, manele is seen by its detractors as too ?eastern? in character, an unwelcome reminder of earlier Balkan and Ottoman influences on Romanian culture.","PeriodicalId":30174,"journal":{"name":"Muzikologija-Musicology","volume":"1 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“Perverting the Taste of the People”: Lăutari and the Balkan Question in Romania\",\"authors\":\"Roderick Lawford Charles\",\"doi\":\"10.2298/MUZ2029085L\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"??Perverting the Taste of the People?: L?utari and the Balkan Question in Romania? considers the term ?Balkan? in the context of Romanian Romani music-making. The expression can be used pejoratively to describe something ?bar-baric? or fractured. In the ?world music? era, ?gypsy-inspired? music from the Balkans has become highly regarded. From this perspective ?Balkan? is seen as something desirable. The article uses the case of the Romanian ?gypsy? band Taraf de Ha?douks in illustration. Romania?s cultural and physical position with- in Europe can be difficult to locate, a discourse reflected in Romanian society itself, where many reject the description of Romania as a ?Balkan? country. This conflict has been contested through manele, a Romanian popular musical genre. In contrast, manele is seen by its detractors as too ?eastern? in character, an unwelcome reminder of earlier Balkan and Ottoman influences on Romanian culture.\",\"PeriodicalId\":30174,\"journal\":{\"name\":\"Muzikologija-Musicology\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Muzikologija-Musicology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2298/MUZ2029085L\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Muzikologija-Musicology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2298/MUZ2029085L","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
摘要
??歪曲人民的口味?: L ?乌塔里和罗马尼亚的巴尔干问题?考虑到巴尔干这个词?在罗马尼亚罗马尼亚音乐制作的背景下。这个表达可以用来贬义地描述某事?或断裂。在世界音乐中?时代,gypsy-inspired ?来自巴尔干半岛的音乐受到高度重视。从这个角度来看?巴尔干?被视为令人向往的东西。这篇文章用了罗马尼亚吉普赛人的例子。乐队Taraf de Ha?插图方面的问题。罗马尼亚吗?罗马尼亚在欧洲的文化和地理位置很难定位,这反映在罗马尼亚社会本身,许多人拒绝将罗马尼亚描述为“巴尔干国家”。的国家。这种冲突通过manele(一种罗马尼亚流行音乐类型)来解决。相比之下,男性气质在批评者看来过于东方化。从本质上讲,这是一个不受欢迎的提醒,让人想起早期巴尔干和奥斯曼对罗马尼亚文化的影响。
“Perverting the Taste of the People”: Lăutari and the Balkan Question in Romania
??Perverting the Taste of the People?: L?utari and the Balkan Question in Romania? considers the term ?Balkan? in the context of Romanian Romani music-making. The expression can be used pejoratively to describe something ?bar-baric? or fractured. In the ?world music? era, ?gypsy-inspired? music from the Balkans has become highly regarded. From this perspective ?Balkan? is seen as something desirable. The article uses the case of the Romanian ?gypsy? band Taraf de Ha?douks in illustration. Romania?s cultural and physical position with- in Europe can be difficult to locate, a discourse reflected in Romanian society itself, where many reject the description of Romania as a ?Balkan? country. This conflict has been contested through manele, a Romanian popular musical genre. In contrast, manele is seen by its detractors as too ?eastern? in character, an unwelcome reminder of earlier Balkan and Ottoman influences on Romanian culture.