论塞尔维亚中世纪艺术中嘲笑基督场景中弦乐器的意义

IF 0.2 0 MUSIC Muzikologija-Musicology Pub Date : 2022-01-01 DOI:10.2298/muz2233193g
A. Gavrilovic
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引用次数: 0

摘要

本文考察了塞尔维亚中世纪艺术(1166-1459)中《嘲笑基督》场景中和弦乐器的神圣意义,这些场景仅保存在两个纪念性合奏中——Decani修道院的Pantokrator基督教堂(1338-1339)和Lesnovo的圣天使加布里埃尔和迈克尔教堂(1346-1347)。有问题的乐器是一个cithara(拜占庭七弦琴)和一个诗篇。所选的比较材料的例子,以及书面资料,证明这些乐器象征性地指向基督?年代的痛苦。
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On the meaning of the chordophone musical instruments in the scenes of the mocking of Christ in Serbian medieval art
This article examines the sacral meaning of the chordophone musical instruments in the scenes of the Mocking of Christ in Serbian medieval art (1166-1459), preserved only in two monumental ensembles - in the church of Christ Pantokrator in Decani Monastery (1338-1339) and in the church of the Holy Archangels Gabriel and Michael in Lesnovo (1346-1347). The instruments in question are one cithara (Byzantine lyre) and one psaltery. Selected examples of the comparative material, as well as the written sources, prove that these musical instruments symbolically point to Christ?s suffering.
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