高铁工人的“封顶”传统

IF 0.1 4区 社会学 0 FOLKLORE WESTERN FOLKLORE Pub Date : 2001-10-01 DOI:10.2307/1500407
John Robinson
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Ironworkers belong to the union called The International Association of Bridge, Structural, and Ornamental Ironworkers, which was established in 1896. Local #1 is in Chicago, the putative birthplace of the skyscraper. The work encompasses a wide variety of construction activities from the placement of reinforcing steel (called \"re-bar\") in concrete structures, to welding, to heavy rigging, to the more visible and extreme activities like the erection of skyscrapers and bridges. The oldest continuous aspect of the trade is practiced by ornamental ironworkers who install metal stairways, ladders, catwalks and a wide array of decorative metal structures. Ornamental ironwork predates the union and the use of structural steel by many hundreds of years. Even though steel long ago supplanted iron as a building material the men in the trade are called ironworkers-not steel workers-and they usually refer to the columns and beams as iron. One reason the ironworkers observe the topping out custom is the simple fact that they are the first workers to reach the top of the structure. I guess the impulse to commemorate the achievement is similar to that of mountain climbers-or astronauts landing on the moon for that matter.3 Topping out the structure means the end is in sight for the \"raising-gang\"-the men who actually set the iron in place. There is more work to be done, and ironworkers will be involved in some aspects of it, but the heavy work is done and the raising gang is almost out of a job. While no two topping out ceremonies are the same, they usually have some combination of a tree, a flag, the ritual signing of the final beam, and a party. The custom of decorating the uppermost point of the structure with an evergreen tree is a tradition that predates the structural-steel industry in America by hundreds of years and has old Northern European roots. Although the topping out tree has ancient roots there is no consensus among modern ironworkers as to what exactly the tree symbolizes, or when and how it came to be used by the ironworkers. According to The Ironworker, the union's official publication, \"for some the evergreen tree symbolizes that the job went up without a loss of life, while for others it's a good luck charm for the future occupants\"(1984:11). Other accounts attribute the tree as signifying simply that \"we [ironworkers] did it\" (Kodish, 1989:2). Little scholarship has been published on this custom. Most of what has been published has appeared in newspapers, popular magazines and engineering trade journals. One can get a feel for the age and scope of such tree rituals from James Frazer who discusses tree worship extensively in The Golden Bough. (Indeed, the title of the book itself is an allusion to tree worship.) For example, in Chapter Ten, \"Relics of Tree-Worship in Modern Europe,\" Frazer reports that it was common practice in spring or early summer for the people to go into the woods and cut branches and fasten them to every house (1922:139). Frazer further remarks, \"The intention of these customs is to bring home to the village, and to each house, the blessings which the tree-spirit has in its power to bestow\" (1922: 139). 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The work encompasses a wide variety of construction activities from the placement of reinforcing steel (called \\\"re-bar\\\") in concrete structures, to welding, to heavy rigging, to the more visible and extreme activities like the erection of skyscrapers and bridges. The oldest continuous aspect of the trade is practiced by ornamental ironworkers who install metal stairways, ladders, catwalks and a wide array of decorative metal structures. Ornamental ironwork predates the union and the use of structural steel by many hundreds of years. Even though steel long ago supplanted iron as a building material the men in the trade are called ironworkers-not steel workers-and they usually refer to the columns and beams as iron. One reason the ironworkers observe the topping out custom is the simple fact that they are the first workers to reach the top of the structure. I guess the impulse to commemorate the achievement is similar to that of mountain climbers-or astronauts landing on the moon for that matter.3 Topping out the structure means the end is in sight for the \\\"raising-gang\\\"-the men who actually set the iron in place. There is more work to be done, and ironworkers will be involved in some aspects of it, but the heavy work is done and the raising gang is almost out of a job. While no two topping out ceremonies are the same, they usually have some combination of a tree, a flag, the ritual signing of the final beam, and a party. The custom of decorating the uppermost point of the structure with an evergreen tree is a tradition that predates the structural-steel industry in America by hundreds of years and has old Northern European roots. Although the topping out tree has ancient roots there is no consensus among modern ironworkers as to what exactly the tree symbolizes, or when and how it came to be used by the ironworkers. 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引用次数: 0

摘要

“顶起”是钢铁工人用来表示最后一块钢正在被吊装到建筑物、桥梁或其他大型结构上的术语工程尚未完工,但已达到最高点。为了纪念这第一个里程碑,最后一块铁通常被吊到一个地方,上面挂着一棵小常青树(业内称为圣诞树)和一面美国国旗作品通常被涂成白色,并由钢铁工人和来访的政要签名(图1)。如果项目足够重要(并且承包商的慷慨程度足够高),仪式可能会在一个被称为“封顶派对”的庆祝活动中达到高潮,在这个庆祝活动中,施工人员会受到食物和饮料的款待。钢铁工人属于国际桥梁、结构和装饰钢铁工人协会,该协会成立于1896年。排名第一的是芝加哥,这里被认为是摩天大楼的诞生地。作品涵盖了各种各样的建筑活动,从在混凝土结构中放置钢筋(称为“钢筋”)到焊接,再到重型索具,再到更明显和极端的活动,如摩天大楼和桥梁的架设。最古老的行业是由装饰铁工人进行的,他们安装金属楼梯、梯子、t台和各种装饰金属结构。装饰铁艺早于工会和结构钢的使用数百年。尽管钢铁很久以前就取代了铁作为建筑材料,但从事这一行业的人被称为炼铁工人,而不是炼钢工人,他们通常把柱和梁称为铁。铁工人遵守封顶习俗的一个原因很简单,因为他们是第一批到达建筑顶部的工人。我想纪念这一成就的冲动与登山者或宇航员登陆月球的冲动类似盖上钢架意味着“吊顶帮”即将结束,这些人实际上是在钢架上安装钢架的。还有更多的工作要做,钢铁工人会参与其中的一些方面,但繁重的工作已经完成,提高工人几乎没有工作。虽然没有两个封顶仪式是相同的,但它们通常是一些组合,包括一棵树,一面旗帜,最后一根梁的仪式签名和派对。用常青树装饰建筑最顶端的传统,比美国的钢结构工业早了数百年,并有古老的北欧根源。尽管顶部的树有古老的根源,但现代炼铁工人对于这棵树究竟象征着什么,或者它是何时以及如何被炼铁工人使用的,并没有达成共识。根据工会的官方出版物《钢铁工人》(The Ironworker),“对一些人来说,这棵常青树象征着工作没有人员伤亡,而对另一些人来说,这是未来居住者的好运符”(1984:11)。其他的说法认为这棵树仅仅表示“我们[钢铁工人]做到了”(Kodish, 1989:2)。关于这一习俗的学术研究很少。大多数已发表的内容都出现在报纸、流行杂志和工程行业期刊上。人们可以从詹姆斯·弗雷泽(James Frazer)那里感受到这种树仪式的年龄和范围,他在《金枝》(the Golden Bough)一书中广泛讨论了树崇拜。(事实上,这本书的标题本身就是对树崇拜的影射。)例如,在第十章“现代欧洲的树木崇拜遗迹”中,弗雷泽报告说,人们在春天或初夏通常会到树林里砍下树枝,然后把它们绑在每家每户的墙上(1922:139)。弗雷泽进一步评论说:“这些习俗的目的是把树灵赋予的祝福带回村庄和每家每户”(1922:139)。这种常青树能够在北欧的严冬中存活下来,这一定使它成为了一种强大的生命肯定的象征。…
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The "Topping Out" Traditions of the High-Steel Ironworkers
"Topping out" is the term used by ironworkers to indicate that the final piece of steel is being hoisted into place on a building, bridge, or other large structure.1 The project is not completed, but it has reached its maximum height. To commemorate this first milestone the final piece of iron is usually hoisted into place with a small evergreen tree (called a Christmas tree in the trade) and an American flag attached.2 The piece is usually painted white and signed by the ironworkers and visiting dignitaries (figure 1). If the project is important enough (and the largesse of the contractor great enough) the ceremony may culminate in a celebration known as a "topping out party" in which the construction crews are treated to food and drink. Ironworkers belong to the union called The International Association of Bridge, Structural, and Ornamental Ironworkers, which was established in 1896. Local #1 is in Chicago, the putative birthplace of the skyscraper. The work encompasses a wide variety of construction activities from the placement of reinforcing steel (called "re-bar") in concrete structures, to welding, to heavy rigging, to the more visible and extreme activities like the erection of skyscrapers and bridges. The oldest continuous aspect of the trade is practiced by ornamental ironworkers who install metal stairways, ladders, catwalks and a wide array of decorative metal structures. Ornamental ironwork predates the union and the use of structural steel by many hundreds of years. Even though steel long ago supplanted iron as a building material the men in the trade are called ironworkers-not steel workers-and they usually refer to the columns and beams as iron. One reason the ironworkers observe the topping out custom is the simple fact that they are the first workers to reach the top of the structure. I guess the impulse to commemorate the achievement is similar to that of mountain climbers-or astronauts landing on the moon for that matter.3 Topping out the structure means the end is in sight for the "raising-gang"-the men who actually set the iron in place. There is more work to be done, and ironworkers will be involved in some aspects of it, but the heavy work is done and the raising gang is almost out of a job. While no two topping out ceremonies are the same, they usually have some combination of a tree, a flag, the ritual signing of the final beam, and a party. The custom of decorating the uppermost point of the structure with an evergreen tree is a tradition that predates the structural-steel industry in America by hundreds of years and has old Northern European roots. Although the topping out tree has ancient roots there is no consensus among modern ironworkers as to what exactly the tree symbolizes, or when and how it came to be used by the ironworkers. According to The Ironworker, the union's official publication, "for some the evergreen tree symbolizes that the job went up without a loss of life, while for others it's a good luck charm for the future occupants"(1984:11). Other accounts attribute the tree as signifying simply that "we [ironworkers] did it" (Kodish, 1989:2). Little scholarship has been published on this custom. Most of what has been published has appeared in newspapers, popular magazines and engineering trade journals. One can get a feel for the age and scope of such tree rituals from James Frazer who discusses tree worship extensively in The Golden Bough. (Indeed, the title of the book itself is an allusion to tree worship.) For example, in Chapter Ten, "Relics of Tree-Worship in Modern Europe," Frazer reports that it was common practice in spring or early summer for the people to go into the woods and cut branches and fasten them to every house (1922:139). Frazer further remarks, "The intention of these customs is to bring home to the village, and to each house, the blessings which the tree-spirit has in its power to bestow" (1922: 139). The evergreen tree's ability to survive the harsh Northern European winter must have made it a powerful life-affirming symbol. …
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WESTERN FOLKLORE FOLKLORE-
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