{"title":"gerard de Lairesse (1640-1711)","authors":"Alain Roy, Gérard de Lairesse","doi":"10.2307/3780829","DOIUrl":null,"url":null,"abstract":"Gerard de Lairesse was born at liege and trained under Bertholet Flemal. At the age of twenty-five he settled in Amsterdam, where he soon became on the most prominent artists of the second half of the century. He introduced into the united provinces a new style steeped in the French classical tradition, breaking with the art of Rembrandt and Dutch naturalism. Essentially \"pictor doctus\", he upheld an art based on the academic doctrine of \"ut pictura poesis\". His work comprises numerous easel paintings commissioned by well-read connaisseurs, large-scale decorative schemes (including several ceiling decorations), and a hundred or so engravings and drawings. He went blind in 1690 and thereafter devoted his time to teaching. In 1707 he published his lectures under the title Het groot schilderboek (the great book of painters), which won great acclaim throughout Europe. Beginning with a study of the painter's career and art, this monograph establishes the \"catalogue raisonne\" of his work (more than four hundred items) and brings together all the material relating to this important artist.","PeriodicalId":42239,"journal":{"name":"SIMIOLUS-NETHERLANDS QUARTERLY FOR THE HISTORY OF ART","volume":"23 1","pages":"186"},"PeriodicalIF":0.0000,"publicationDate":"1995-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3780829","citationCount":"8","resultStr":"{\"title\":\"Gérard de Lairesse (1640-1711)\",\"authors\":\"Alain Roy, Gérard de Lairesse\",\"doi\":\"10.2307/3780829\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Gerard de Lairesse was born at liege and trained under Bertholet Flemal. At the age of twenty-five he settled in Amsterdam, where he soon became on the most prominent artists of the second half of the century. He introduced into the united provinces a new style steeped in the French classical tradition, breaking with the art of Rembrandt and Dutch naturalism. Essentially \\\"pictor doctus\\\", he upheld an art based on the academic doctrine of \\\"ut pictura poesis\\\". His work comprises numerous easel paintings commissioned by well-read connaisseurs, large-scale decorative schemes (including several ceiling decorations), and a hundred or so engravings and drawings. He went blind in 1690 and thereafter devoted his time to teaching. In 1707 he published his lectures under the title Het groot schilderboek (the great book of painters), which won great acclaim throughout Europe. Beginning with a study of the painter's career and art, this monograph establishes the \\\"catalogue raisonne\\\" of his work (more than four hundred items) and brings together all the material relating to this important artist.\",\"PeriodicalId\":42239,\"journal\":{\"name\":\"SIMIOLUS-NETHERLANDS QUARTERLY FOR THE HISTORY OF ART\",\"volume\":\"23 1\",\"pages\":\"186\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1995-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.2307/3780829\",\"citationCount\":\"8\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"SIMIOLUS-NETHERLANDS QUARTERLY FOR THE HISTORY OF ART\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/3780829\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"SIMIOLUS-NETHERLANDS QUARTERLY FOR THE HISTORY OF ART","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/3780829","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 8
摘要
Gerard de Lairesse生于列日,师从Bertholet Flemal。25岁时,他在阿姆斯特丹定居下来,在那里他很快成为20世纪下半叶最杰出的艺术家之一。他将一种沉浸在法国古典传统中的新风格引入了联合各省,打破了伦勃朗和荷兰自然主义的艺术。他本质上是“画师”(pictor doctus),坚持一种基于“ut pictura poesis”学院派学说的艺术。他的作品包括许多受博学多才的画家委托的架上绘画,大型装饰方案(包括几个天花板装饰),以及一百多幅版画和素描。他于1690年失明,此后一直致力于教学。1707年,他以《伟大的画家之书》为名出版了他的讲座,在整个欧洲赢得了极大的赞誉。从研究画家的职业生涯和艺术开始,这本专著建立了他的作品的“目录”(四百多件作品),并汇集了与这位重要艺术家有关的所有材料。
Gerard de Lairesse was born at liege and trained under Bertholet Flemal. At the age of twenty-five he settled in Amsterdam, where he soon became on the most prominent artists of the second half of the century. He introduced into the united provinces a new style steeped in the French classical tradition, breaking with the art of Rembrandt and Dutch naturalism. Essentially "pictor doctus", he upheld an art based on the academic doctrine of "ut pictura poesis". His work comprises numerous easel paintings commissioned by well-read connaisseurs, large-scale decorative schemes (including several ceiling decorations), and a hundred or so engravings and drawings. He went blind in 1690 and thereafter devoted his time to teaching. In 1707 he published his lectures under the title Het groot schilderboek (the great book of painters), which won great acclaim throughout Europe. Beginning with a study of the painter's career and art, this monograph establishes the "catalogue raisonne" of his work (more than four hundred items) and brings together all the material relating to this important artist.