{"title":"莫扎特中毒了!19世纪20年代中期巴黎媒体关于谣言传播的摘录","authors":"Helmut C. Jacobs","doi":"10.2307/20141620","DOIUrl":null,"url":null,"abstract":"Immediately after Mozart's decease the rumour was heard that he had not died a natural death. This rumour spread through the whole of Europe after 1823, enriched with Antonio Salieri's name as Mozart's possible murderer and strengthened by a series of articles in the Parisian press. These articles, which we publish here, were the cause of written reactions by several authors in defence of Salieri.","PeriodicalId":42522,"journal":{"name":"REVUE DE MUSICOLOGIE","volume":"91 1","pages":"455-468"},"PeriodicalIF":0.1000,"publicationDate":"2005-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/20141620","citationCount":"0","resultStr":"{\"title\":\"Mozart empoisonné ! Extraits de la presse parisienne sur la propagation d'une rumeur au milieu des années 1820\",\"authors\":\"Helmut C. Jacobs\",\"doi\":\"10.2307/20141620\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Immediately after Mozart's decease the rumour was heard that he had not died a natural death. This rumour spread through the whole of Europe after 1823, enriched with Antonio Salieri's name as Mozart's possible murderer and strengthened by a series of articles in the Parisian press. These articles, which we publish here, were the cause of written reactions by several authors in defence of Salieri.\",\"PeriodicalId\":42522,\"journal\":{\"name\":\"REVUE DE MUSICOLOGIE\",\"volume\":\"91 1\",\"pages\":\"455-468\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2005-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.2307/20141620\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"REVUE DE MUSICOLOGIE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/20141620\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"REVUE DE MUSICOLOGIE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/20141620","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Mozart empoisonné ! Extraits de la presse parisienne sur la propagation d'une rumeur au milieu des années 1820
Immediately after Mozart's decease the rumour was heard that he had not died a natural death. This rumour spread through the whole of Europe after 1823, enriched with Antonio Salieri's name as Mozart's possible murderer and strengthened by a series of articles in the Parisian press. These articles, which we publish here, were the cause of written reactions by several authors in defence of Salieri.