{"title":"“扩大黑人女性的规模”:哈瓦那嘻哈的女权主义活动","authors":"Ronni Armstead","doi":"10.2979/NWS.2007.19.1.106","DOIUrl":null,"url":null,"abstract":"This essay focuses on the music of the Black, all-female Cuban hip-hop group Las Krudas as a form of feminist activist art. Analyzing the group's lyrics and its members' self-conscious identification as feminists reveals insight into the role of music as a public forum that makes visible the social, sexual, and economic oppression of African-descended women in Cuban society.","PeriodicalId":88071,"journal":{"name":"NWSA journal : a publication of the National Women's Studies Association","volume":"19 1","pages":"106 - 117"},"PeriodicalIF":0.0000,"publicationDate":"2007-04-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"21","resultStr":"{\"title\":\"'Growing the Size of the Black Woman': Feminist Activism in Havana Hip Hop\",\"authors\":\"Ronni Armstead\",\"doi\":\"10.2979/NWS.2007.19.1.106\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay focuses on the music of the Black, all-female Cuban hip-hop group Las Krudas as a form of feminist activist art. Analyzing the group's lyrics and its members' self-conscious identification as feminists reveals insight into the role of music as a public forum that makes visible the social, sexual, and economic oppression of African-descended women in Cuban society.\",\"PeriodicalId\":88071,\"journal\":{\"name\":\"NWSA journal : a publication of the National Women's Studies Association\",\"volume\":\"19 1\",\"pages\":\"106 - 117\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2007-04-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"21\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"NWSA journal : a publication of the National Women's Studies Association\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2979/NWS.2007.19.1.106\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"NWSA journal : a publication of the National Women's Studies Association","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2979/NWS.2007.19.1.106","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
'Growing the Size of the Black Woman': Feminist Activism in Havana Hip Hop
This essay focuses on the music of the Black, all-female Cuban hip-hop group Las Krudas as a form of feminist activist art. Analyzing the group's lyrics and its members' self-conscious identification as feminists reveals insight into the role of music as a public forum that makes visible the social, sexual, and economic oppression of African-descended women in Cuban society.
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