对F字的再思考:网络上的激进主义艺术回顾

M. Flanagan, S. Looui
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引用次数: 3

摘要

在一个新技术和新媒体日益渗透到我们生活的方方面面,而性别、种族和其他形式的平等进展却极其缓慢的时代,现在似乎是审视新技术及其对女权主义运动潜在价值的关键时刻。自20世纪80年代末公开出现以来,互联网一直被批评为压迫性的,同时也被誉为赋予不同社区权力的。在这篇评论中,我们将研究女权主义活动家艺术与互联网相关的一些新兴形式,并考虑技术如何为女权主义艺术家和活动家的目标做出贡献。重要的是,通过考虑“网络女权主义”这一冲突术语,将这一评论置于背景中。Gajjala 1999;Sollfrank 2002)。自20世纪90年代中期以来,网络女权主义一词被用来研究技术,特别是新媒体和互联网技术与性别的相互作用方式。网络女权主义者研究新技术的庆祝性和矛盾性,并致力于确定挪用、干预或平行实践的方法,以将女性问题插入主流技术话语中。虽然许多从事技术工作的女性对这个词持怀疑态度,但女权主义活动家艺术家费斯·怀尔丁指出了它内在的可能性和乐观主义。在她颇具影响力的文章《网络女权主义中的女权主义在哪里?》Wilding断言,“网络女权主义者有机会创造女权主义理论和实践的新形态,以解决全球技术创造的复杂的新社会条件”(1998)。著名的女性主义理论家罗西·布雷多蒂(Rosi Braidotti)指出,网络女性主义的一个中心目标是打破和瓦解当代性别界限(1996)。网络女权主义作为一种解放理想尚未发挥其潜力,部分原因是围绕信息技术领域的更大的社会压力。如果网络女权主义的根本目标是通过利用技术解决性别问题来改变和重组社会和政治现实,那么女性的进步就微乎其微。例如,在美国,女性,特别是有色人种女性在计算机科学和技术研究和专业领域的缺乏被研究人员描述为社会正义问题(Wardle, Martin, and Clarke 2004)。信息技术学术领域的女性入学率持续下降,目前在计算和新技术领域(如游戏和软件开发)的性别失衡阻碍了女性在社会公平、平等机会和赋权方面的进步
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Rethinking the F Word: A Review of Activist Art on the Internet
In an era when new technology and media increasingly infiltrate all facets of our lives, and progress on gender, racial, and other forms of equity appears excruciatingly slow, now seems a critical time to examine new technologies and their potential value for feminist activism. Since its public emergence in the late 1980s, the internet has been simultaneously criticized as oppressive and heralded as empowering for different communities. In this review, we will examine some of the emerging forms that feminist activist art is taking in relation to the internet and consider how technology has contributed to the goals of feminist artists and activists. It is important to contextualize this review by considering the conflicted term "cyberfeminism" (Braidotti 1996; Gajjala 1999; Sollfrank 2002). Since the mid-1990s, the term cyberfeminism has been used to investigate the ways in which technology, especially new media and internet technology, and gender interact. Cyberfeminists investigate the celebratory yet contradictory nature of new technologies and work to determine methods of appropriation, intervention, or parallel practice to insert women's issues into the dominant technology discourse. While many women working with technology have regarded this term suspiciously, feminist activist artist Faith Wilding pointed to the possibilities and optimism inherent within it. In her influential article, "Where is Feminism in Cyberfeminism?" Wilding asserts that "cyberfeminists have the chance to create new formations of feminist theory and practice which address the complex new social conditions created by global technologies" (1 998). Prominent feminist theorist Rosi Braidotti noted that a central aim of cyberfeminism was the breakdown and disintegration of contemporary gender boundaries (1996). Cyberfeminism as a liberatory ideal has not yet achieved its potential, in part because of larger societal pressures surrounding the information technology fields. If a fundamental aim of cyberfeminism is to change and reorganize social and political realities by engaging technology to address gender issues, little progress has been achieved for women. In the United States, for instance, the dearth of women, especially women of color, in computer science and technology studies and professions has been described by researchers as a social justice issue (Wardle, Martin, and Clarke 2004). Female enrollment in information technology academic areas continues to decline, and the current gender imbalance in computing and new technology areas such as game and software development, hinders progress for women in social equity, equal access, and empowerment
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