{"title":"奥兰多·迪·拉索的香颂和他们的新教听众。16世纪法国的音乐、虔诚与印刷","authors":"Annie Coeurdevey, R. Freedman","doi":"10.2307/947115","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":42522,"journal":{"name":"REVUE DE MUSICOLOGIE","volume":"27 1","pages":"489"},"PeriodicalIF":0.1000,"publicationDate":"2001-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/947115","citationCount":"6","resultStr":"{\"title\":\"The Chansons of Orlando di Lasso and Their Protestant Listeners. Music, Piety, and Print in Sixteenth-Century France\",\"authors\":\"Annie Coeurdevey, R. Freedman\",\"doi\":\"10.2307/947115\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":42522,\"journal\":{\"name\":\"REVUE DE MUSICOLOGIE\",\"volume\":\"27 1\",\"pages\":\"489\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2001-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.2307/947115\",\"citationCount\":\"6\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"REVUE DE MUSICOLOGIE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/947115\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"REVUE DE MUSICOLOGIE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/947115","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}