{"title":"幽灵召唤","authors":"Orsolya Ware-Nagy","doi":"10.33268/met.2021.5.2","DOIUrl":null,"url":null,"abstract":"Coherent restoration of religious buildings or groups of buildings often depends upon settling the discussion between issues of partial demolition, reconstruction, or intervention. This project derives its solution from given forms bounded by existing walls, roofline, and enclosure of the covent courtyard. The use of Corten steel and copper sheet created a balance between the existing massive stone walled buildings and a new perforated dynamic of space. The result being processional, contemporary, without losing its sense of place and time.","PeriodicalId":38160,"journal":{"name":"Metszet","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Szellemidézés\",\"authors\":\"Orsolya Ware-Nagy\",\"doi\":\"10.33268/met.2021.5.2\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Coherent restoration of religious buildings or groups of buildings often depends upon settling the discussion between issues of partial demolition, reconstruction, or intervention. This project derives its solution from given forms bounded by existing walls, roofline, and enclosure of the covent courtyard. The use of Corten steel and copper sheet created a balance between the existing massive stone walled buildings and a new perforated dynamic of space. The result being processional, contemporary, without losing its sense of place and time.\",\"PeriodicalId\":38160,\"journal\":{\"name\":\"Metszet\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Metszet\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.33268/met.2021.5.2\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Metszet","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.33268/met.2021.5.2","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
Coherent restoration of religious buildings or groups of buildings often depends upon settling the discussion between issues of partial demolition, reconstruction, or intervention. This project derives its solution from given forms bounded by existing walls, roofline, and enclosure of the covent courtyard. The use of Corten steel and copper sheet created a balance between the existing massive stone walled buildings and a new perforated dynamic of space. The result being processional, contemporary, without losing its sense of place and time.