{"title":"不确定性中的事件创新和弹性:来自节日城市的反思!","authors":"Jane Ali-Knight","doi":"10.3727/152599522x16419948695314","DOIUrl":null,"url":null,"abstract":"As I sit at my desk, as the nights draw in and the temperatures fall, my mind is transported to the summer of 2022 and the re-emergence of Edinburgh as a Festival City (world leading apparently!) as it was the first time the festivals had been able to operate without strict COVID regulations. Edinburgh Festivals consists of 11 recurring events held in Edinburgh each year and before the pandemic struck, the August festivals combined (Edinburgh International Festival; Edinburgh Festival Fringe; Royal Edinburgh Military Tattoo; Edinburgh International Book Festival and Edinburgh Art Festival) were the world’s third largest ticketed event, just behind the Olympics and football World Cup in scale, selling millions of tickets each year. Together, the five August festivals comprise over 5,000 events across Scotland’s capital, welcoming audiences of 4.4 million and over 25,000 artists, writers and performers from 70 countries and transform Edinburgh into a prominent cultural destination every summer (Festivals Edinburgh, 2020). This morning’s launch of the Edinburgh Festival Fringe Society’s review of the year 2022: an in-depth look at the work it has accomplished over the past 12 months also makes me reflect on the summer long gone. With unease caused by a new wave of COVID in early 2022, there was still uncertainty that a fully formed Fringe could take place this August and that Edinburgh would once again be a mecca for artists, tourists and industry to visit as the Festivals (Film, International and Fringe) celebrated their 75th year (Edinburgh Festival Fringe, 2022).","PeriodicalId":47354,"journal":{"name":"EVENT MANAGEMENT","volume":null,"pages":null},"PeriodicalIF":1.3000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"EVENTS INNOVATION AND RESILIENCE DURING UNCERTAINTY: REFLECTIONS FROM THE FESTIVAL CITY!\",\"authors\":\"Jane Ali-Knight\",\"doi\":\"10.3727/152599522x16419948695314\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"As I sit at my desk, as the nights draw in and the temperatures fall, my mind is transported to the summer of 2022 and the re-emergence of Edinburgh as a Festival City (world leading apparently!) as it was the first time the festivals had been able to operate without strict COVID regulations. Edinburgh Festivals consists of 11 recurring events held in Edinburgh each year and before the pandemic struck, the August festivals combined (Edinburgh International Festival; Edinburgh Festival Fringe; Royal Edinburgh Military Tattoo; Edinburgh International Book Festival and Edinburgh Art Festival) were the world’s third largest ticketed event, just behind the Olympics and football World Cup in scale, selling millions of tickets each year. Together, the five August festivals comprise over 5,000 events across Scotland’s capital, welcoming audiences of 4.4 million and over 25,000 artists, writers and performers from 70 countries and transform Edinburgh into a prominent cultural destination every summer (Festivals Edinburgh, 2020). This morning’s launch of the Edinburgh Festival Fringe Society’s review of the year 2022: an in-depth look at the work it has accomplished over the past 12 months also makes me reflect on the summer long gone. With unease caused by a new wave of COVID in early 2022, there was still uncertainty that a fully formed Fringe could take place this August and that Edinburgh would once again be a mecca for artists, tourists and industry to visit as the Festivals (Film, International and Fringe) celebrated their 75th year (Edinburgh Festival Fringe, 2022).\",\"PeriodicalId\":47354,\"journal\":{\"name\":\"EVENT MANAGEMENT\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.3000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"EVENT MANAGEMENT\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3727/152599522x16419948695314\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"HOSPITALITY, LEISURE, SPORT & TOURISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"EVENT MANAGEMENT","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3727/152599522x16419948695314","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"HOSPITALITY, LEISURE, SPORT & TOURISM","Score":null,"Total":0}
引用次数: 0
摘要
当我坐在办公桌前,随着夜幕降临,气温下降,我的思绪被带到2022年的夏天,爱丁堡重新成为一个节日之城(显然是世界领先的!),因为这是节日第一次能够在没有严格的新冠肺炎规定的情况下运作。爱丁堡艺术节由每年在爱丁堡举行的11项经常性活动组成,在大流行爆发之前,8月份的艺术节合并在一起(爱丁堡国际艺术节;爱丁堡艺穗节;皇家爱丁堡军事纹身;爱丁堡国际图书节(Edinburgh International Book Festival)和爱丁堡艺术节(Edinburgh Art Festival)是世界第三大售票活动,规模仅次于奥运会和足球世界杯,每年售出数百万张门票。每年8月的五个艺术节在苏格兰首都共举办5000多场活动,欢迎440万观众和来自70个国家的2.5万多名艺术家、作家和表演者,并将爱丁堡变成每年夏天的重要文化目的地(爱丁堡艺术节,2020年)。今天上午,爱丁堡艺穗节协会(Edinburgh Festival Fringe Society)发布了《2022年回顾:深入回顾过去12个月的工作》,这也让我反思了这个早已逝去的夏天。由于2022年初新冠肺炎疫情引发的不安,今年8月能否举办一个完整的艺穗节,以及爱丁堡能否再次成为艺术家、游客和工业界参观的麦加,仍然存在不确定性,因为艺术节(电影、国际和艺穗节)庆祝了第75届(爱丁堡艺穗节,2022年)。
EVENTS INNOVATION AND RESILIENCE DURING UNCERTAINTY: REFLECTIONS FROM THE FESTIVAL CITY!
As I sit at my desk, as the nights draw in and the temperatures fall, my mind is transported to the summer of 2022 and the re-emergence of Edinburgh as a Festival City (world leading apparently!) as it was the first time the festivals had been able to operate without strict COVID regulations. Edinburgh Festivals consists of 11 recurring events held in Edinburgh each year and before the pandemic struck, the August festivals combined (Edinburgh International Festival; Edinburgh Festival Fringe; Royal Edinburgh Military Tattoo; Edinburgh International Book Festival and Edinburgh Art Festival) were the world’s third largest ticketed event, just behind the Olympics and football World Cup in scale, selling millions of tickets each year. Together, the five August festivals comprise over 5,000 events across Scotland’s capital, welcoming audiences of 4.4 million and over 25,000 artists, writers and performers from 70 countries and transform Edinburgh into a prominent cultural destination every summer (Festivals Edinburgh, 2020). This morning’s launch of the Edinburgh Festival Fringe Society’s review of the year 2022: an in-depth look at the work it has accomplished over the past 12 months also makes me reflect on the summer long gone. With unease caused by a new wave of COVID in early 2022, there was still uncertainty that a fully formed Fringe could take place this August and that Edinburgh would once again be a mecca for artists, tourists and industry to visit as the Festivals (Film, International and Fringe) celebrated their 75th year (Edinburgh Festival Fringe, 2022).
期刊介绍:
Event Management, an International Journal, intends to meet the research and analytic needs of a rapidly growing profession focused on events. This field has developed in size and impact globally to become a major business with numerous dedicated facilities, and a large-scale generator of tourism. The field encompasses meetings, conventions, festivals, expositions, sport and other special events. Event management is also of considerable importance to government agencies and not-for-profit organizations in a pursuit of a variety of goals, including fund-raising, the fostering of causes, and community development.