Vasyl Stus诗歌最重要的接受“节点”

Olha Chervinska
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摘要

本文的研究揭示了Vasyl Stus在思想迫害和监禁时期阅读诗歌时产生的关键争论问题,对“我的整个空间是四乘四的”和“Zazyrayu v zavtra - tma i tmuscha…”(“展望明天-黑暗和忧郁”)的诗句进行诗学和比较解释。凶残的“今天”的体验(在第二节中,“今天”的范式被浓缩为“回忆的日子”)不可避免地将诗歌思想引向时空的碎片化。后者可以被认为是对斯都诗的问题给出了一个几乎无误的答案的关键,这首诗有权利被称为他的最后一篇(最后一篇)。尽管这两首诗中都有孤独的悲剧和不可避免的死亡,但时间的投射却是相反的。在第一个例子中,它直接从监狱牢房通向死亡的来世,而在第二个例子中,它从“展望明天”的空住所有目的地返回,在从古代历史事件中推断的类比中找到了肯定生命的平衡。因此,Vasyl Stus在这两句诗中并没有将存在边界的主题揭示为死前状态的心理(“No fear, No pain, No hesitate / before death…”)。这一主题进行了一种完全不同的哲学对话和交流,进入了本体论,进入了作者精神的内在和无限空间,引领着作者和读者超越表象的视界,成为他诗学最重要的接受“节点”。
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The Most Significant Receptive “Node” of Vasyl Stus’ Poetry
The article under studies reveals the issue of key arguments that arise while reading the poetry by Vasyl Stus at the time of his ideological persecution and imprisonment, carrying out poetological and comparative interpretation of the verses “Ves obshyr miy chotyry na chotyry…” (“My whole expanse is four by four…”) and “Zazyrayu v zavtra – tma i tmuscha…” (“Looking into tomorrow – darkness and gloom”). The experience of murderous “today” (in the second verse, the paradigm of “today” has been condensed with the “days of remembering”) inevitably leads the poetic thought to the fragmentation of space and time. The latter may be regarded as the very point that gives an almost unmistakable answer to the question about Stus’ verse, which has the right to be called his last one (final). Despite the tragedy of experiencing loneliness and thought of inevitable death in both verses, the projection of time is made in opposite directions. In the first example, it leads directly from the prison cell to the mortal afterlife, while in the second – from the emptied dwelling of “looking into tomorrow” purposefully turns back, finding a life-affirming balance in analogies extrapolated from the episodes of historical antiquity. Therefore, Vasyl Stus does not reveal the theme of existential boundaries in these two verses as the psychology of the pre-death state (“No fear, no pain, no hesitation / before death...”). This theme assumes a philosophical dialogue, communication of a completely different kind, entering ontology, the inner and the boundless space of the author’s spirit, as well as leading both the author and the readers beyond the horizon of the obvious and becoming the most important receptive “node” of his poetics.
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