贝斯蒂娅·凯旋门:恩里克·斯坦科·弗拉斯1901年在北京

Iveta Nakládalová
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引用次数: 0

摘要

本研究的重点是对义和团运动的描述,在1901年的头几个月,在北京写的E. S.弗拉兹在他的第二次中国之旅。恩里克·斯坦科·弗拉兹(1860-1932)是捷克博物学家和探险家,以他的非洲、拉丁美洲和亚洲之旅而闻名,他在一系列面向更广泛公众的书中对这些旅行进行了描述。他关于义和团运动期间北京的游记特别引人入胜,因为它展示了义和团运动刚刚达到高潮时,这个国家正处于巨大的动荡和混乱之中。从民族志和人类学的角度来看,这本书也非常有趣,因为弗拉兹不仅评论了盟军在中国的活动,而且还描述了中国人,他们的习俗,中国文化和社会,并在此过程中发展了对这个王国的解释,一方面是“文明”和现代,另一方面是“野蛮”和愚昧。因此,Vraz的叙述似乎不可避免地与种族中心主义范式联系在一起,这是20世纪初旅行写作的特征。然而,我认为这种说法过于简单化了,而且Vraz的文本对这些对立有自我意识,因此不适合任何直接的阅读。
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Bestia Triumphans: Enrique Stanko Vráz in Beijing in 1901
This study focuses on a description of the Boxer Rebellion in Beijing, in the first months of 1901, written by E. S. Vraz during his second journey to China. Enrique Stanko Vraz (1860–1932) was a Czech naturalist and explorer, renowned for his travels to Africa, Latin America, and Asia, which he depicted in a series of books addressed to a broader public. His travelogue on Beijing during the Boxer Rebellion is particularly engaging, since it shows the country in the midst of great turmoil and chaos, just after the uprising had reached its climax. It is also extremely interesting from the ethnographical and anthropological perspective, because Vraz not only comments on the activities of the allied forces in China, but he also describes the Chinese people, their customs, Chinese culture and society, and in doing so develops an interpretation of the kingdom, governed by the dichotomy between ‘civilization’ and modernity, on one hand, and ‘barbarism’ and obscurantism, on the other. Vraz’s narrative therefore seems to be inexorably bound to an ethnocentric paradigm, so characteristic of travel writing at the beginning of the 20th century. I argue, however, that this statement is oversimplifying, and that Vraz’s text is self-aware of these antagonisms and therefore defies any straightforward reading.
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来源期刊
Annals of the Naprstek Museum
Annals of the Naprstek Museum Arts and Humanities-History
CiteScore
0.40
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1
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