{"title":"Náprstek博物馆的印井收藏","authors":"Adéla Tůmová","doi":"10.37520/anpm.2021.008","DOIUrl":null,"url":null,"abstract":"Small several-compartment cases called inrō were a supplement to Japanese men‘s clothing during the Edo period and were used to store various small items (especially personal stamps). Decorated with various techniques, such as decorating with gold, nacre (mother of pearl), and inlaying with metals, they gradually became a decorative accessory for Japanese clothing. In the 19th century inrō became favorite collector’ items in Europe. This article deals with inrō collection in the Naprstek Museum, its origin, but also with the techniques of inrō production.","PeriodicalId":38203,"journal":{"name":"Annals of the Naprstek Museum","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Inrō Collection in the Náprstek Museum\",\"authors\":\"Adéla Tůmová\",\"doi\":\"10.37520/anpm.2021.008\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Small several-compartment cases called inrō were a supplement to Japanese men‘s clothing during the Edo period and were used to store various small items (especially personal stamps). Decorated with various techniques, such as decorating with gold, nacre (mother of pearl), and inlaying with metals, they gradually became a decorative accessory for Japanese clothing. In the 19th century inrō became favorite collector’ items in Europe. This article deals with inrō collection in the Naprstek Museum, its origin, but also with the techniques of inrō production.\",\"PeriodicalId\":38203,\"journal\":{\"name\":\"Annals of the Naprstek Museum\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Annals of the Naprstek Museum\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.37520/anpm.2021.008\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Annals of the Naprstek Museum","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.37520/anpm.2021.008","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Small several-compartment cases called inrō were a supplement to Japanese men‘s clothing during the Edo period and were used to store various small items (especially personal stamps). Decorated with various techniques, such as decorating with gold, nacre (mother of pearl), and inlaying with metals, they gradually became a decorative accessory for Japanese clothing. In the 19th century inrō became favorite collector’ items in Europe. This article deals with inrō collection in the Naprstek Museum, its origin, but also with the techniques of inrō production.