休伦卡罗尔:加拿大文化的变色龙

Pub Date : 2014-03-20 DOI:10.3828/BJCS.2014.4
J. Steckley
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引用次数: 1

摘要

《休伦颂歌》是在17世纪40年代早期由耶稣会神父Jean de br beuf用温达特语或休伦语写成的。它讲述了耶稣诞生的故事。随着时间的推移,它成为了温达特人宗教文化的一部分。从18世纪晚期的神父艾蒂安·托马斯·德·维伦纽夫·吉罗(Father Etienne Thomas de Villeneuve Girault)和19世纪后半叶的休伦·保罗·查恩霍伊·皮卡德(Huron Paul Tsa8enhohi Picard)的翻译开始,休伦颂歌的解释变得不那么真实地反映了人们的语言和文化。20世纪初,杰西·米德尔顿创作了这首歌的一个版本,使它在北美流行起来,但无论如何都不是温达特原版的翻译。到20世纪后半叶,这首歌与主流文化的文化适应过程发生了逆转,这首歌被反复用温达特语录制,并被创作成其他土著语言的版本。
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Huron Carol: a Canadian cultural chameleon
The Huron Carol was written in the Wendat or Huron language in the early 1640s by Jesuit Father Jean de Brébeuf. It tells the story of the birth of Jesus. Over time it became a part of the religious culture of the Wendat people. The interpretation of the Huron Carol became less true to the language and culture of the people from the translations first of Father Etienne Thomas de Villeneuve Girault in the late eighteenth century and Huron Paul Tsa8enhohi Picard during the latter half of the nineteenth century. Early in the twentieth century Jesse Middleton created a version of the song that made it popular throughout North America, but was not in any way a translation of the original Wendat version. The process of the song's acculturation to mainstream culture turned around by the latter half of that century, with the song being recorded repeatedly in the original Wendat, and with versions being created in other Aboriginal languages.
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