波兰-乌克兰-斯洛伐克边境地区乌克兰文化的消失,以及波兰和捷克斯洛伐克文学、新闻和电影摄影中“乌克兰班德雷特”的形象,1940年代中期至1980年代中期

IF 0.6 0 HUMANITIES, MULTIDISCIPLINARY Muzeologia a Kulturne Dedicstvo-Museology and Cultural Heritage Pub Date : 2020-01-01 DOI:10.46284/mkd.2020.8.2.6
R. Drozd, M. Šmigel’
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引用次数: 1

摘要

本研究的目的是概述波兰东南部乌克兰文化灭绝的过程,这是战后时期(1944-1947年)波兰重新安置行动和乌克兰地下运动(即乌克兰起义军)活动的结果。同时,本研究还分析了从1940年代中期到1980年代末在波兰和捷克斯洛伐克文学、新闻和电影摄影宣传中塑造的“乌克兰班杰里特”形象。作者指出,在波兰和捷克斯洛伐克,所分析的主题都受到某些周期性的兴趣浪潮,或当前的政治需求或有用性的影响,但总是根据既定的和政治上接受的模板。现实社会主义时期的文学和电影制作中采用的非黑即白的问题接受、宣传虚构、隐瞒事实、过分突出他人等做法,只是扭曲了问题的历史客观性,在集体记忆中形成了复杂的刻板印象。
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The extinction of the Ukrainian culture of the Polish-Ukrainian-Slovak borderland and the image of the “Ukrainian Banderite” in Polish and Czechoslovak literature, journalism and cinematography, mid-1940s–1980s
The aim of this study is to outline the process of the extinction of Ukrainian culture in south-eastern Poland as a result of Polish resettlement actions and the activities of the Ukrainian underground movement (i.e., the Ukrainian Insurgent Army) in the post-war period (1944–1947). Concurrently, the study offers an analysis of the image of the “Ukrainian Banderite”, created by propaganda in Polish and Czechoslovak literature, journalism, and cinematography in the period from the mid-1940s to the end of the 1980s. The authors state that both in Poland and in Czechoslovakia the analysed topic has been subject to certain cyclical waves of interest, or current political demand or usefulness, but always according to an established and politically accepted template. The black-and-white reception of the issue, propaganda fictions, the concealment of facts, and the disproportionate highlighting of others, which were applied in the literary and film production of the real-socialist period, only distorted the historical objectivity of the issue and created a complicated stereotype in the collective memory.
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来源期刊
CiteScore
1.10
自引率
0.00%
发文量
13
审稿时长
45 weeks
期刊最新文献
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