如何在以前的修道院展出一具木乃伊?迈克尔·威尔曼(1630-1706)的尸体

IF 0.6 0 HUMANITIES, MULTIDISCIPLINARY Muzeologia a Kulturne Dedicstvo-Museology and Cultural Heritage Pub Date : 2020-01-01 DOI:10.46284/mkd.2020.8.4.7
Andrzej Kozieł
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引用次数: 0

摘要

本文讨论了迈克尔·威尔曼(1630-1706)的木乃伊,他是中欧巴洛克时期最杰出的画家之一。威尔曼的木乃伊被保存在西里西亚(波兰)Lubiąż的前西多会修道院教堂的地下室里。这篇文章介绍了木乃伊的历史和打开地窖并向公众展示的可能性,以欧洲类似的展览为例,这些展览为展示死者的尸体找到了尊重和敏感的解决方案(例如巴勒莫的卷尾猴地窖和布尔诺的卷尾猴教堂)。威尔曼的木乃伊不仅是艺术家的身体,也是Lubiąż西多会的文化遗产的一部分,值得博物馆化。在计划在Lubiąż的前西多会修道院教堂建立迈克尔·威尔曼博物馆的背景下,这个问题尤为重要。
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How to exhibit a human mummy in a former monastery? The case of the body of Michael Willmann (1630–1706)
This paper discusses the mummified body of Michael Willmann (1630–1706) – one of the most outstanding painters of the Baroque period in Central Europe. Willmann’s mummy was preserved in the crypt of the former Cistercian monastery church in Lubiąż, Silesia (Poland). The article presents the history of the mummy and possibilities for opening the crypt and displaying it to the public, following the example of similar expositions in Europe which have found respectful and sensitive solutions for presenting the bodies of the deceased (e.g. Capuchin Crypt in Palermo and Capuchin Church in Brno). Willmann’s mummy is not only the body of an artist, but also a part of the cultural heritage of the Lubiąż Cistercians, making it worthy museification. This issue is particularly important in the context of the plans for establishing the Michael Willmann Museum in the former Cistercian monastery church in Lubiąż.
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CiteScore
1.10
自引率
0.00%
发文量
13
审稿时长
45 weeks
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