{"title":"斯克拉贾宾的魔法音乐:只是幻想?","authors":"Francisco Molina Moreno","doi":"10.5209/amal.58755","DOIUrl":null,"url":null,"abstract":"This article discusses the magical power attributed to music in the text of the Preparatory Act, by the Russian composer and pianist Aleksandr Skrjabin (1872-1915), and whether the contents of that text can be considered mythical or fantastic.","PeriodicalId":40412,"journal":{"name":"Amaltea-Revista de MitocrItica","volume":"1 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2018-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5209/amal.58755","citationCount":"0","resultStr":"{\"title\":\"Skrjabin's Magical Music: Just a Fantasy?\",\"authors\":\"Francisco Molina Moreno\",\"doi\":\"10.5209/amal.58755\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article discusses the magical power attributed to music in the text of the Preparatory Act, by the Russian composer and pianist Aleksandr Skrjabin (1872-1915), and whether the contents of that text can be considered mythical or fantastic.\",\"PeriodicalId\":40412,\"journal\":{\"name\":\"Amaltea-Revista de MitocrItica\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2018-06-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.5209/amal.58755\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Amaltea-Revista de MitocrItica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5209/amal.58755\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Amaltea-Revista de MitocrItica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5209/amal.58755","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
This article discusses the magical power attributed to music in the text of the Preparatory Act, by the Russian composer and pianist Aleksandr Skrjabin (1872-1915), and whether the contents of that text can be considered mythical or fantastic.
期刊介绍：
Founded in 2008 by José Manuel Losada, Amaltea (ISSN-e 1989-1709) is a journal of myth criticism with intimate connections to Asteria, the International Association of Myth Criticism, and the Universidad Complutense de Madrid. Its object of study is the way ancient, medieval and modern myths are perceived and adapted in literature and the arts from 1900 to the present day.
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