{"title":"日常魔法:壁炉架的一些奥秘","authors":"R. Mills","doi":"10.5130/phrj.v23i0.5331","DOIUrl":null,"url":null,"abstract":"Small mass-produced objects, such as ceramic figurines, that may have been displayed on mantelpieces, are found in working-class nineteenth and early twentieth century archaeological contexts. Above the hearth, at the heart of the home, objects located on the mantelpiece could be said to be central in reflecting a number of aspects of the lives of those who placed them there. These could include identity, resistance, memory and superstition.","PeriodicalId":41934,"journal":{"name":"Public History Review","volume":"23 1","pages":"74-88"},"PeriodicalIF":0.5000,"publicationDate":"2016-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5130/phrj.v23i0.5331","citationCount":"1","resultStr":"{\"title\":\"Everyday Magic: Some Mysteries of the Mantlepiece\",\"authors\":\"R. Mills\",\"doi\":\"10.5130/phrj.v23i0.5331\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Small mass-produced objects, such as ceramic figurines, that may have been displayed on mantelpieces, are found in working-class nineteenth and early twentieth century archaeological contexts. Above the hearth, at the heart of the home, objects located on the mantelpiece could be said to be central in reflecting a number of aspects of the lives of those who placed them there. These could include identity, resistance, memory and superstition.\",\"PeriodicalId\":41934,\"journal\":{\"name\":\"Public History Review\",\"volume\":\"23 1\",\"pages\":\"74-88\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2016-12-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.5130/phrj.v23i0.5331\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Public History Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5130/phrj.v23i0.5331\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Public History Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5130/phrj.v23i0.5331","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
Small mass-produced objects, such as ceramic figurines, that may have been displayed on mantelpieces, are found in working-class nineteenth and early twentieth century archaeological contexts. Above the hearth, at the heart of the home, objects located on the mantelpiece could be said to be central in reflecting a number of aspects of the lives of those who placed them there. These could include identity, resistance, memory and superstition.
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