{"title":"拉杜·裘德对男性愤怒和自怜的讽刺研究","authors":"Andrei Gorzo, Veronica Lazăr","doi":"10.51391/trva.2022.05.01","DOIUrl":null,"url":null,"abstract":"The article discusses four Radu Jude films – the shorts Alexandra (2008) and It Can Pass Through the Wall (2014), the never released, 60-minute long A Film for Friends (2011), and Jude’s official second feature, Everybody in Our Family (2012) – grouping them together as satirical studies of male rage and self-pity, with elements of psychodrama.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Radu Jude’s Satirical Studies of Male Rage and Self-Pity\",\"authors\":\"Andrei Gorzo, Veronica Lazăr\",\"doi\":\"10.51391/trva.2022.05.01\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article discusses four Radu Jude films – the shorts Alexandra (2008) and It Can Pass Through the Wall (2014), the never released, 60-minute long A Film for Friends (2011), and Jude’s official second feature, Everybody in Our Family (2012) – grouping them together as satirical studies of male rage and self-pity, with elements of psychodrama.\",\"PeriodicalId\":39326,\"journal\":{\"name\":\"Revista Transilvania\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Revista Transilvania\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.51391/trva.2022.05.01\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista Transilvania","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.51391/trva.2022.05.01","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
Radu Jude’s Satirical Studies of Male Rage and Self-Pity
The article discusses four Radu Jude films – the shorts Alexandra (2008) and It Can Pass Through the Wall (2014), the never released, 60-minute long A Film for Friends (2011), and Jude’s official second feature, Everybody in Our Family (2012) – grouping them together as satirical studies of male rage and self-pity, with elements of psychodrama.