{"title":"后人道主义是超现代主义吗?罗马尼亚当代诗歌的趋同与分化","authors":"Bogdan Vișan","doi":"10.51391/trva.2023.05-06.05","DOIUrl":null,"url":null,"abstract":"Romanian criticism has tended to use generational framing to delineate the boundaries of local poetic paradigms, which has also been the case for the Generation 2000 and Generation post-2000. If in the 1980’s a discussion about a Romanian postmodernism was put into debate, in 2018 the question regarding the emergence of a Romanian poetry metamodernism arises. In this context, I intend to trace in this paper the nuances of generational debates in order to outline to what extent this methodology succeeds in describing the mutations and the characteristics of recent poetry. With the posthuman turn and the possibilities for the emergence of metamodernism being debated, my paper addresses, on the one hand, the viability of metamodernism in recent poetry, and, on the other, possible points of conjunctions of posthumanism and metamodernism. The posthuman turn encompasses the post-2000 generation, while local discussions have also proposed metamodernism as a label for the post-2000 generation. The question I start from is to what extent, theoretically, is our local poetry metamodernist in its sensibility and specificity, and to what extent does posthumanism fit into a metamodernist heuristic label. Although the debate remains open insofar as the Romanian theoretical field seems rather refractory to transnational theoretical fictions, what I observe in this article is that metamodernism, as theoretically proposed, can be a viable alternative to the crisis of critical discourse.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Este postumanismul un metamodernism? Convergențe și divergențe în poezia română contemporană\",\"authors\":\"Bogdan Vișan\",\"doi\":\"10.51391/trva.2023.05-06.05\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Romanian criticism has tended to use generational framing to delineate the boundaries of local poetic paradigms, which has also been the case for the Generation 2000 and Generation post-2000. If in the 1980’s a discussion about a Romanian postmodernism was put into debate, in 2018 the question regarding the emergence of a Romanian poetry metamodernism arises. In this context, I intend to trace in this paper the nuances of generational debates in order to outline to what extent this methodology succeeds in describing the mutations and the characteristics of recent poetry. With the posthuman turn and the possibilities for the emergence of metamodernism being debated, my paper addresses, on the one hand, the viability of metamodernism in recent poetry, and, on the other, possible points of conjunctions of posthumanism and metamodernism. The posthuman turn encompasses the post-2000 generation, while local discussions have also proposed metamodernism as a label for the post-2000 generation. The question I start from is to what extent, theoretically, is our local poetry metamodernist in its sensibility and specificity, and to what extent does posthumanism fit into a metamodernist heuristic label. Although the debate remains open insofar as the Romanian theoretical field seems rather refractory to transnational theoretical fictions, what I observe in this article is that metamodernism, as theoretically proposed, can be a viable alternative to the crisis of critical discourse.\",\"PeriodicalId\":39326,\"journal\":{\"name\":\"Revista Transilvania\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Revista Transilvania\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.51391/trva.2023.05-06.05\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista Transilvania","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.51391/trva.2023.05-06.05","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
Este postumanismul un metamodernism? Convergențe și divergențe în poezia română contemporană
Romanian criticism has tended to use generational framing to delineate the boundaries of local poetic paradigms, which has also been the case for the Generation 2000 and Generation post-2000. If in the 1980’s a discussion about a Romanian postmodernism was put into debate, in 2018 the question regarding the emergence of a Romanian poetry metamodernism arises. In this context, I intend to trace in this paper the nuances of generational debates in order to outline to what extent this methodology succeeds in describing the mutations and the characteristics of recent poetry. With the posthuman turn and the possibilities for the emergence of metamodernism being debated, my paper addresses, on the one hand, the viability of metamodernism in recent poetry, and, on the other, possible points of conjunctions of posthumanism and metamodernism. The posthuman turn encompasses the post-2000 generation, while local discussions have also proposed metamodernism as a label for the post-2000 generation. The question I start from is to what extent, theoretically, is our local poetry metamodernist in its sensibility and specificity, and to what extent does posthumanism fit into a metamodernist heuristic label. Although the debate remains open insofar as the Romanian theoretical field seems rather refractory to transnational theoretical fictions, what I observe in this article is that metamodernism, as theoretically proposed, can be a viable alternative to the crisis of critical discourse.