《吃我的话:从女人写的烹饪书里读她们的生活

IF 0.1 4区 社会学 0 FOLKLORE WESTERN FOLKLORE Pub Date : 2004-10-01 DOI:10.5860/choice.40-1707
R. Weaver
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In this chapter Theophano recounts also the story of Jane Janviers, whose mid-nineteenth-century collection includes the recipes of family, friends, and neighbors-this known because of the marginalia, as in, \"Eliza melts the butter in the Molasses, then beats the eggs and milk in last,\" and \"Mrs. Barre's Recipe for Citron Melon . …","PeriodicalId":44624,"journal":{"name":"WESTERN FOLKLORE","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2004-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"75","resultStr":"{\"title\":\"Eat My Words: Reading Women's Lives through the Cookbooks They Wrote\",\"authors\":\"R. Weaver\",\"doi\":\"10.5860/choice.40-1707\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Eat My Words: Reading Women's Lives through the Cookbooks They Wrote. By Janet Theophano. (New York: Palgrave, 2002. 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引用次数: 75

摘要

《吃我的话:从女人写的烹饪书里读她们的生活》作者:Janet Theophano。(纽约:帕尔格雷夫出版社,2002年)第xviii +362页,致谢、引言、照片、插图、注释、参考书目、索引。布29.95美元,纸18.95美元)在《吃我的话》一书中,珍妮特·西奥法诺提供了将烹饪书作为主要文献阅读的理论和技巧,远远超出了个别版本的旁注等明显文本,并考虑了不太明显的文本,如批量生产的作品。她收录的烹饪书既有单独撰写的——霍普斯蒂尔·布雷特17世纪的家政书,也有卜伟·杨超1945年的《如何用中文烹饪和吃饭》——也有集体撰写的,比如1972年的《罗切斯特·哈达萨烹饪书》。在提供了阅读字里行间的理论和指导之后,西奥法诺在实际的烹饪书中展示了这种技巧,就好像它们是个人日记一样。她表明,一本烹饪书,远不只是一本烤鸡或烤磅蛋糕的指南,而是一本了解作者的入门书:当我们体验她的作品时,我们就会了解这个女人。我们逐渐意识到,学习如何做一道菜远不如构建这些食谱作者的生活和文化细节有趣,因为他们的书是“他们所居住的社会和文化世界的地图”(13)。七章中的每一章都向读者介绍了各种各样的烹饪书作者,对他们的生活进行了纪实的描述,并对每位女性的烹饪书进行了详尽的分析。Theophano认为烹饪书是女性在文化中识别和定义自己的一种方式:“作为文化认同的标志,一种文化的烹饪可能被用来标记群体和个人在一个新的土地上进行的复杂谈判”(50)。通过这种方式,过去和现在融合在一起,因为食物方式被适应和采用,这取决于原产地和目前的家庭地区,女性同样适应和采用的意愿和能力,以及各种成分的可用性。在第一章“作为社区的烹饪书”中,我们介绍了霍普斯蒂尔·布雷特和她1678年的收据簿。除了收集食谱,布雷特还把这本书作为她家庭存货的记录和家庭疗法的储存库。通过这本书,我们了解了布雷特的社会地位和她对这种地位的看法,以及她的社区、宗教、烹饪和家务管理能力。在这一章中,西奥法诺还讲述了简·詹维耶斯的故事,她19世纪中期的收藏包括家人、朋友和邻居的食谱——这是因为旁注而知道的,比如,“伊丽莎把黄油融化在糖蜜里,然后再把鸡蛋和牛奶打匀”,以及“巴雷夫人的香瓜食谱”。…
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Eat My Words: Reading Women's Lives through the Cookbooks They Wrote
Eat My Words: Reading Women's Lives through the Cookbooks They Wrote. By Janet Theophano. (New York: Palgrave, 2002. Pp. xviii +362, acknowledgments, introduction, photographs, illustrations, notes, bibliography, index. $29.95 cloth, $18.95 paper) In Eat My Words, Janet Theophano offers theory and technique for reading cookbooks as primary documents, going well beyond obvious texts such as marginalia in individual copies and taking into account less-obvious texts, such as mass-produced works. She includes cookbooks that are both single-authored-Hopestill Brett's seventeenth-century housekeeping book or Buwei Yang Chao's 1945 volume, How to Cook and Eat in Chinese-and collectively authored, for example the 1972 Rochester Hadassah Cookbook. After providing theory and instruction on reading between the lines, as it were, Theophano demonstrates the technique on actual cookbooks, examining these as though they were personal journals. She shows that a cookbook, far more than simply a guide to roasting chicken or baking pound cake, is a primer of the woman who wrote it: we become acquainted with the woman as we experience her writings. We become aware that learning how to make a particular dish is not nearly so interesting as constructing the details of these cookbook writers' lives and the cultures that inform them, for their books are "maps of the social and cultural worlds they inhabit" (13). Each of the seven chapters introduces the reader to a variety of cookbook authors, with a documentary description of their lives and an exhaustive analysis of each woman's cookbook. Theophano looks at the cookbooks as a woman's way of identifying and defining herself in her culture: "As icons of cultural identity, a culture's cuisine may be used to mark the complex negotiations groups and individuals undertake in a new land" (50). In this way the past and the present merge as foodways are adapted and adopted depending on place of origin and current home region, the woman's willingness and ability to likewise adapt and adopt, and the availability of various ingredients. In chapter one, "Cookbooks as Communities," we are introduced to Hopestill Brett and her 1678 receipt book. Beyond collecting recipes, Brett used the book as a record of her household inventory and as a repository for home cures. Through this book we learn of Brett's status in society and her views on that status, as well as on her community, religion, and culinary and housekeeping abilities. In this chapter Theophano recounts also the story of Jane Janviers, whose mid-nineteenth-century collection includes the recipes of family, friends, and neighbors-this known because of the marginalia, as in, "Eliza melts the butter in the Molasses, then beats the eggs and milk in last," and "Mrs. Barre's Recipe for Citron Melon . …
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WESTERN FOLKLORE FOLKLORE-
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