舞蹈女神:民间传说、考古学和欧洲舞蹈的起源

IF 0.1 4区 社会学 0 FOLKLORE WESTERN FOLKLORE Pub Date : 2013-02-11 DOI:10.5860/choice.50-6266
Elizabeth Wayland Barber
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引用次数: 4

摘要

从希腊南部到俄罗斯北部,人们一直相信女性的灵魂,她们带来了生育能力,她们日夜在田野和森林里跳舞。这些精灵如此迷人,以至于在19世纪的浪漫主义文学中也出现了她们的身影。伊丽莎白·韦兰·巴伯(Elizabeth Wayland Barber)是一名职业考古学家和语言学家,业余爱好是民间舞者,她仔细研究了东欧和东南欧的民族志传说和考古报告,翻译了关于这些“舞蹈女神”的迷人民间故事,以及目击者对传统仪式的描述——这些文本为农业社会的舞蹈提供了新的视角。然后,她将这些女神和她们的舞蹈追溯到罗马和希腊,直到欧洲的第一批农民。一路上,她找到了许多习俗的起源,包括给复活节彩蛋上色和向新娘扔米。其结果是一个独一无二的侦探故事,并快乐地提醒人们需要跳舞。
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The Dancing Goddesses: Folklore, Archaeology, and the Origins of European Dance
From southern Greece to northern Russia, people have long believed in female spirits, bringers of fertility, who spend their nights and days dancing in the fields and forests. So appealing were these spirit-maidens that they also took up residence in nineteenth-century Romantic literature. Archaeologist and linguist by profession, folk dancer by avocation, Elizabeth Wayland Barber has sleuthed through ethnographic lore and archaeological reports of east and southeast Europe, translating enchanting folktales about these "dancing goddesses" as well as eyewitness accounts of traditional rituals-texts that offer new perspectives on dance in agrarian society. She then traces these goddesses and their dances back through the Romans and Greeks to the first farmers of Europe. Along the way, she locates the origins of many customs, including coloring Easter eggs and throwing rice at the bride. The result is a detective story like no other and a joyful reminder of the human need to dance.
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来源期刊
WESTERN FOLKLORE
WESTERN FOLKLORE FOLKLORE-
CiteScore
0.40
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