西尔维娅·普拉斯的《钟罩:美国五十年代的一面镜子》

Sabbagh M R G, G. A, B. F.
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引用次数: 0

摘要

西尔维娅·普拉斯的《钟形罩》(1963)描绘了20世纪50年代一位才华横溢却沮丧的年轻美国女性,描绘了一个19岁女孩在精神崩溃之前的经历。本文借鉴弗里德尼亚的第二波女性主义思潮,试图探寻普拉斯笔下女主人公埃丝特·格林伍德失望与身份危机的根源。据了解,她的挫折除了是个人问题外,也是社会文化因素的结果。榜样的缺乏和媒体传递的矛盾信息导致了她的焦虑、幻灭和不确定。《钟罩》提出了一个解决方案:一个女人在拥有一份令人满意的事业的同时,成为一个体贴的妻子和慈爱的母亲,这确实是可能的。这就是埃丝特想要找到的答案当家庭和外部世界之间的界限对女性来说是明确的。
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Sylvia Plath's The Bell Jar: a Mirror of American Fifties
With its portrayal of a talented yet frustrated young American woman in the 1950s, Sylvia Plath's The Bell Jar (1963) depicts the experiences of a nineteen-year-old girl before her mental breakdown. Benefitting from a Friedanian second wave feminism, this paper aims to trace the root of disappointment and identity crisis in Plath's heroine, Esther Greenwood. It is understood that besides being a personal issue, her frustration is the outcome of sociocultural factors. The lack of role models and the contradictory messages sent by the media lead to her anxiety, disillusionment, and uncertainty. The Bell Jar proposes a solution: it is indeed possible for a woman to hold a fulfilling career and at the same time be a caring wife and a loving mother. And this is the answer Esther tries to figure out at a time when the boundaries between the domestic sphere and the outside world are clearly defined for women.
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